
The history of Indian Handicrafts is an old saga. There are a myriad of craft traditions in India. The crafts which flourished in India are basically subject to the social, economic and regional factors. The present status of craft in India owes much to the rich craft traditions of the past. Most of the crafts from the past continue to boom due to their utilitarian nature, their availability to the common people and popularity in domestic and foreign markets. The special needs of the patrons and royalty with vivid eye on foreign and domestic trade became the focal point of crafts of Indian subcontinent. Till date it is continuing to boom owing to the assimilating nature of
Indian culture. Highly accommodative nature of the craftsmen to accept and use new ideas is also responsible for the growth of Indian crafts.
Ancient history of Indian crafts
The primal references of Indian crafts were found in the remnants of
Indus Valley Civilization (3000 B.C.-1700 B.C.). The Indus valley civilization had a rich craft tradition. It has also got a technical brilliance in the arena of pottery- making, jewelry, threading, various sculptures like
metal,
stone,
terracotta etc. A lot of material information from excavations at Harappa,
Mohen-jo-daro etc. corroborates the craft tradition of the Indus valley civilization. The craftsmen supplied basic needs of the locales and also excess items were exported to ancient Arabian countries mainly through voyages.
The rich heritage of Indus Valley Civilization was perfectly incorporated in the
Vedic era, starting from 1500 B.C. There is no dearth of references in the
Vedic literature where instances of artisans involved in
pottery making,
weaving,
wood crafting etc, are being duly mentioned. Especially the Rig Veda refers to a variety of pottery made from clay, wood and metal. It also mentions about lot many weavers and weaving of the then period.
Growth of Crafts during Ancient India
Tamil states were the largely increasing era in the history of crafts and trade in ancient India. In
Karimnagar in
Telangana, carpenters, blacksmiths, goldsmiths, potters lived in part quarters and undeveloped and other labourers lived at one ending. Eight crafts were connected with the working of
gold, silver, lead, tin,
copper, brass, iron, and
precious stones or jewels. A variety of
types of crafts associated with cheek, zinc, antimony and red arsenic are also stated. Technological facts about iron work had made huge development and iron pieces have been determined in large numbers. The Telangana area of
Andhra seems to have been the affluence in this respect and in accumulation to
weapons, balance rods, sickles, ploughshares, razors and ladles have been discovered in the Karimnagar and
Nalgonda districts of this area.
Mathura was a vast hub for the manufacture of a particular
type of cloth which was called shataka. The manufacture of oil boosted because of the exercise of the oil wheel. The dedications of the age state weavers, goldsmiths, dyers, workers in metal and ivory, jewellers, sculptors, fishermen, smiths and perfumers as constructors of caves and also as donors of pillars, tablets, cisterns, etc. to the
Buddhist monks.
Indian ivories have been found in Afghanistan and Rome. They are related to ivory objects found in excavations at
Satavahana sites in the
Deccan. A
coin shape from a Satavahana level demonstrates that it could produce half a dozen coins at a time. Coin moulding and other
city handicrafts were complemented by the construct of beautiful pieces of
terracotta, which flourish at several places. Most artisans recognized from inscriptions were confined to the Mathura province and to western Deccan which lay on the trade routes leading to the
ports on the western coast.
Medieval history of Indian crafts
Artistic production of crafts, too, proliferated during
Mauryan Empire, a landmark in Indian history, starting from 3rd century B.C. It is believed that during the time of Ashoka, 84,000
stupas were constructed in India. The "
Sanchi stupa" is a part of it and has gained worldly fame for its beautiful stone carving and relief work. Wearing fashionable jewelries was in vogue. Several
sculptures were found in
Bharhut,
Mathura,
Amravati,
Vaishali, and
Sanchi regions depicting female figures decked up in beautiful jewelries bear a proof of this. The iron pillars of Vaishali and
Delhi, created during the time of Emperor Ashoka, are a spectacle of metallurgical works.
Influence of Dynasties on the Medieval Indian CraftThe craft of each state in India reflect the influence of different empires. The Medieval Indian Craft witnessed a number of influential dynasties appearing and ameliorating the Indian craft. One of the influential dynasties that played the vital role in Indian craft was
Chola dynasty that flourished in South India. The popularity of
bronze metal in the Chola period was a continuation of the style and technique of the Andhra. One of the techniques that the Cholas patronized was the lost wax process, used for Indian bronzes. This indeed was one of the striking examples of the artistry of the Medieval Indian Craft.

The contribution of the Cholas and the
Vijayanagar Empire in the field of bronze craft,
silk weaving, jewellery, temple carving is beyond parallel. A famous craftsmanship of Medieval Indian Craft was the great image of
Shiva-Nataraja in his cosmic dance pose which not only symbolises the creation and destruction of the universe, but is considered a visual sermon of sorts by the devotees. The
Chalukyan Empire had splendid instances of the craft on hard rock. This culture continued in the later dynasties like
Rashtrakuta dynasty,
Pallava dynasty etc.
Indian crafts in Buddhist period
The foreign invaders, leaving aside their tradition of cultural and traditional glories, ennoble the history of crafts of India. The time period was during 1st century B.C and 1st century A.D .The impact of these intrusions can be noticed in the
Buddhist sculptures from
Taxila, Begram, Bamiyan, Swat valley, etc. A high degree of Greek influence is immensely found, especially in the statue of Buddha, having curly hair and wearing draperies. The same trend is maintained in the sculptures of the
Kushana king
Kanishka. These originated in the same period, depicting the influence of the central Asian Culture on Indian craftsmanship. Other exquisite craft pieces, namely,
jewellery,
textile making,
leather products, metal working etc. inherited these influences and also absorbed them in accord to the Indian scenario.
Indian crafts in Gupta period
The golden age of
Guptas (AD 320-647) is not only esteemed the classical period in Indian history and that too of history of Indian crafts. The rock cut temples of
Ellora and the
Ajanta murals are perfect examples of it. These
wall paintings throw us a realistic view of the lifestyle of that time. Another interesting feature is that it underwent evolution under the patronage of
Gupta kings, excelling in jewelry making, woodcarving, sculpture,
stone carving, and
weaving.
Indian crafts in Mughal period
The craftsmen under the
Delhi Sultanate period prospered in the fields of pottery, weaving, wood carving, metal working, jewelry etc.
Mughal era was the golden period in the history of craft. The Mughals brought with them a rich heritage, which they had adopted from Persian territories. They imparted new techniques like inlay work,
glass engraving,
carpet weaving,
brocades,
enameling etc. The Mughal
miniature paintings also disposed influence of the traditions of many Indian schools of paintings like
Rajasthani, the
Kangra,
Pahari etc. The famous
Peacock Throne of the Mughals is one of the premium examples of precious stone decorative work and metal craft. They also laid the foundation for a host of many craft traditions and also the famous Mughal miniature painting. Petra dura or
inlay work is a unique example, perfectly beautified with
jewellery.
Techniques Applied on the Medieval Indian CraftDuring the medieval era, new techniques like inlay work;
glass engraving, carpet weaving, brocades, enamelling etc were introduced in Indian. The famous
Peacock Throne of the Mughals is one of the finest examples of gem inlay work and metal craft. This dynasty promoted the creation of enamelled jewellery and a host of other craft traditions. The royal clans of this era enabled the craftsmen to take the Indian craft to an unprecedented height. Along with this promotion and development of jewel craft was also paid due heed. India, thus, developed as a major source and trading centre for precious stones and intricate jewellery designs. Some of the most appraised jewellery craft of Mughal era were
Bidriware and
Meenakari craft.
Bidriware: Bidriware is valued for its fine craftsmanship. Its sleek and smooth dark coloured metal work with intricate eye-catching designs on its glossy surface is famous all over the world.
Meenakari: Another craft which is the Meenakari craft, is the continuation of the art of enamelling or fixing colour by melting in fire which had been practised in India ever since the ancient times.
The medieval period introduced many techniques for colouring ornaments and other objects of
gold and silver and also other metallic objects made of
copper, brass etc.
Jaipur was most famous for enamelling work on gold, followed by
Varanasi,
Alwar and
Delhi, Multan, Shang and
Kangra; whilst Bahawalpur,
Kashmir,
Kulu etc. had traditions of enamelling on silver. Throughout centuries, crafts have been embedded as a culture and tradition within rural communities.
With the demolition of the Mughal dynasty, the medieval period ends. The post Mughal era introduces colonial rule, the reign of the
British. The initiation of the colonial period ensured the establishment of the modern or contemporary era that ushered the Western influences on the Indian craft.
History of crafts in South India
The Medieval period of Indian history is significant in the context of development of crafts. It expanded its aura to
Southern region after capturing the market of the whole of northern territories of India. The contribution of the
Cholas and the
Vijaynagar Empire in the field of
bronze sculpture,
silk weaving,
jewellery,
temple carving still remains invincible. The fine example of stone carving from central India can be seen in the form of the
Khajuraho Temples, built by the
Chandelas. Rich and ornate wood and stone carving can be found in medieval temple of
Jagannath at
Puri in
Odisha.
Modern history of Indian crafts
In present day scenario, growth and development of crafts in India is no less significant. Each and every Indian state has its own unique culture, their own designs, colors, materials in use and individual shapes and patterns, which is demonstrated in the
Sholapith from
West Bengal, handicrafts of that particular region. For instance,
Kashmir is known for its
Pashmina wool shawls as well as
carpets,
silverware,
ivory works etc. North-Eastern and Eastern states like Assam and West Bengal are far-famed for their exquisite `Sholapith` and `
Shital Patti` works. Others regions are acclaimed for crafts pieces, namely,
Karnataka for its rosewood carving,
sandalwood crafts etc. The engraved and enameled
meenakari brassware found in
Rajasthan,
silk materials from
Varanasi and
Kanchipuram, colorful
embroidery, mirror work, quilting and fabric
painting from
Gujarat etc. are some of the exclusive crafts popularized not only in India and also abroad.
Stone crafts are in thing and few regions are popular for crystals and
semi precious stones. The contemporary crafts vary from products like bed sheets, table mats, napkins, household furnishings etc. These instances of art made out of different textile and the usage of masterly printing range from
tie and dye,
block printing,
hand printing etc. are in great demand now a days.
Crafts in Modern India
There is a huge domestic market for a hoard of utilitarian craft items such as bedcovers, sheets, cushions, curtains, tablemats, bags, metal furniture, mats, boxes, cabinets, wood furniture, toys, utensils, garden pots, terracotta items, brass and
silverware,
leather products, papier-mâché products, cane, jute and coir items, carpets, rugs, durries etc. The craft items are fabricated with a touch of modernity keeping in mind the demand of the present trend. Most of the units producing utilitarian craft items have attained the status of small-scale industry.
The market of art and craft ensures the demand for decorative items such as traditional wall hangings, silver cutlery, brass pots, embellished
wooden sculptures,
marble and wood inlay work, silk carpets, wrought iron furniture and decorative pieces, traditional paintings, enameled furniture, stone and wood carvings, metal, wood and
stone sculptures etc. are also on the rise in India and abroad as well.
Carpet weaving industry is the largest export oriented craft industry from India. There is a great demand for costly silk carpets from Kashmir, which has become the status symbol in traditional Indian homes. Moreover, the exclusive woolen and non-woolen carpets also appeal the modern customers and the admirers of art. A variety of floorings and traditional durries are flooding the markets these days and decorating the floors of Indian homes.
Having maintained a rich cultural and traditional inheritance, the crafts testify the integral part in the life of an Indian, despite the rapid social and technological changes that are taking place. There is a timeless quality in these craft objects, for they have evolved over centuries and continue to be made even today with the same sentiment. The craft, commenced in the primeval age has been praised and appreciated by the regale of kings and even the contemporary people.