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Buddhist Architecture of Gupta Period:  Buddhist art had flourished during the Gupta period. A famous rock-cut monastery in Ajanta cavesconsists of several Chaitya halls and numerous residential Viharas. The interiors are covered with painted murals that feature superb figures drawn with a gracefully winding line. Large stone figures, stone and terra-cotta relief and large and small bronze statuettes are made in the refined Gupta style; the level of production is uniformly high. Several significant Buddhist pieces of art were created after 7th century, during the reign of the Pala Dynasty and Sena dynasty (730-1197). Images in bronze and hard black stone from Nalanda and elsewhere reveal a development of the Gupta style, with extensive attention towards ornamentation and fabrication.
The Gupta architecture is revealed through the cave and temple architecture of those times, which also include two Buddhist stupas. The "Mirpur Khas stupa" was built in 4th century A.D., which contains a number of arches. The curve of this respective Stupa denotes that arch-making was known to the Indians before the advent of Muslims to India. The relics of the "Dhameka Stupa" built of bricks represent the idiom of the Gupta architecture. The caves of the Buddhist and Hindus sects denote the architectural pattern of the Guptas. Ajanta, Ellora caves and the Bagh cave paintings denote the Buddhist outline, which was very popular during the Gupta period. Hindu caves are found in Udayagiri, Bhopal. The cave paintings of Gupta period conspicuously differ from the others due to their artistic elegance and design. Temple Architecture of Gupta Period The Gupta Age indicated a new era in the history of temple architecture. Free standing sculptural temple were the chief features of temple architecture during the Gupta period. For the first time they initiated permanent materials like brick and stone, instead of perishable materials like bamboo, wood etc. Structural temples, instead of cave temples were erected during this period for the convenience of idol worship. The Gupta architects had invented an artistic standard, which became the general rule of temple construction in the successive ages. The stone temple in Deogarh of Dasavatara with its excellent carvings and panels on the walls is extant remains of Gupta architecture. The 'shikara' or top of the temple are the chief attractions about these constructions. The talent of Gupta architect found expression in the sculpture of the 'dome'. The Shiva temple at Nachana, the Parvati Temple at Ajaya Garh in Uttar Pradesh, the Vishnu Temple in Central Province, the Ekkalinga Shiva Temple at Satana, are some of the extant remains of Gupta architectural pieces. The main temple or the 'Garvagriha' housed the image of God and the original temple was connected to the hall by a vestibule. The whole temple complex is surrounded by a spacious courtyard. One of the chief features of temple architecture was to write down texts around temple buildings, which were faithfully followed in the later years. Sculpture of Gupta Period The style of Gandhara School of art and sculpture had attained an unprecedented excellence during the Gupta period. The style had originally developed in Mathura, which was carried to perfection in Sarnath and where Buddha had turned the wheel of law. Gupta sculpture outgrew the sculptural phrase of Bharhut and Sanchi, where the subject matter was animal figures and trees. During the Gupta period, spiritual and religious themes dominated the field of sculptures. Most of the sculptures focused of gods like Shiva, Vishnu and Buddha. The sculptures were rather exquisite and the figures were proportionate and balanced. The sculptors implemented exotic gestures and postures and the figures appeared to have fitted attire. The flavour of Gupta architecture is found in the Shiva-Parvati relics in Kosam, in the Ramayana panel in Deogarh and also in Sarnath. The Bodhisattva images were representative of the Mathura school of art, which had attained an unprecedented excellence during the Gupta architecture. The sculptural tradition in the Gupta Age speaks of the artistic finesse and brilliance of the Gupta sculptors. Paintings of Gupta Period  Apart from architecture and sculpture, paintings had constituted a significant position in the Gupta period. During the Gupta period, painting had assumed a secular character. The cave paintings of Ajanta, Badami and Bagh were the representations of Gupta paintings. The cave paintings mainly depicted the Jataka stories and the life of Lord Buddha. The Bodhisattva-Padmapani painting of Ajanta represents Bodhisattva standing in a 'trivanga' style. His face depicts a youth with jewelled crown atop his head, holding a white lotus in his right hand. His face glows with pathos and sympathy for the fellow beings while looking below from heaven.
Art, architecture and sculpture of the Gupta period had scaled peak heights, for which the Gupta phase has been given the epithet "the Golden age of India". (Last Updated on : 08-05-2012) |
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Art and Architecture of the Gupta Period
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