With time as the convention grew and developed with the sattras, the dance form came to be called Sattriya Nritya.
History of Sattriya
Sattriya Nritya emerged from the sanctum in the second half of 19th century. This form of dance originated in monasteries and then moved to the metropolitan stage. There were tough austerities and discipline that were maintained by the Sattras within their limitations, until the first half of 19th century. This dance is performed with highly dedicated and ritualistic manner by male dancers alone. There are lot of factors (lack of research, rigid laws) that can be contributed to the delayed acceptance and recognition of Sattriya Nritya. One of the main advantages of adhering to the principles of the sattras has been its ability to maintain its pure form, and distinct style. As Sattriya has made its journey to the demotic spaces of the world's stages from the sanctified interiors of Assam's sattras, it is time for an improvement of Sattriya Nritya's aesthetic and artistic qualities.
This dance form received huge fame and name after Sangeet Natak Akademi recognized Sattriya as one of the classical dance forms of India.
Dance Style of Sattriya
The main theme of Sattriya has had mythological connotation. This is an artistic and meticulous way of presenting teachings to the people in an immediate, accessible and enjoyable manner. Conventionally, this dance form was performed only by male monks (also known as Bhokots) in monasteries as part of their daily rituals or to mark special festivals. In the modern days, Sattriya is performed on stage by women and men, who are not members of sattras, on themes not merely mythological.
Sattriya Nritya is divided into many genres: Apsara Nritya, Behar Nritya, Chali Nritya, Dasavatara Nritya, Manchok Nritya, Natua Nritya, Rasa Nritya, Rajaghariya Chali Nritya, Gosai Prabesh, Bar Prabesh, Gopi Prabesh, Jhumura, Nadu Bhangi, and Sutradhara, among others. Sattriya Nritya, just like seven other schools of Indian classical dance, incorporates the doctrine required of a classical dance form: the treatises of dance and dramaturgy, like Natya Shastra, Abhinaya Darpana, and Sangit Ratnakara; a distinctive repertoire (marg) and the aspects of nritta (pure dance), nritya (expressive dance), and natya (abhinaya).
Sattriya Nritya is performed with musical composition called borgeets (composed by Sankardeva among others) which are usually based on classical ragas. For tradition performance, the instruments that are used are khole (drums), taals (cymbals) and the flute. Some of the recent additions are the violin and the harmonium. The dress is typical of Assam as the silk that are worn are produced in Assam, woven with meticulous designs.
Eminent Artists and Sangeet Natak Academy Awardees
* Maniram Datta Moktar 1963
* Bapuram Bayan Attai 1978
* Roseshwar Saikia Bayan Moktar 1980
* Indira P. P. Bora 1996
* Pradip Chaliha 1998
* Parmanand Borbayan 1999-2000
* Ghana Kanta Bora 2001
* Jatin Goswami 2004
* Ganakanta Dutta Borbayan 2007
* Manik Borbayan 2010
Sattriya Nritya, with time and exposure has found a lot more acceptance among the people of Assam. Apart from Assam, this dance has also faced tremendous appreciation outside the Indian mainland as well. There are dance gurus and dedicated performers who have helped to make this dance form a global affair. Added to that the government of Assam has also taken some steps to popularize this dance form in India, through its setting up of Sattriya Nritya school at Srimanta Sankardeva Bhawan, New Delhi, Assam government hopes to take this dance to the people of India.
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