Woodcrafts of India are famous since ages and probably one of the most primitive arts. Woodcarving is an ancient craft practised in India long before stone sculpture, which itself dates back to ancient times. Indian wood worker designated as sutradhar has always held a high position in the society. Wood which was used for fuel and making of tools in ancient times, can now be seen in every walk of life, from pillars, doors, window to household articles.

Woodcraft is the artistic practice of shaping and decorating wooden objects into diverse forms. India is famous for wooden handicrafts. Wood has been crafted to form various utilitarian and decorative handicrafts items. Skilled craftsmen of each state create handicrafts using wood that is available locally. Mainpuri in Uttar Pradesh is also known for its woodwork inlaid with brass wire on ebony or black sheesham. The states of Jammu & Kashmir, Uttar Pradesh, Gujarat, Karnataka and Kerala have developed distinctive styles of woodcarvings. Even Rajasthan is noted for its carved sandalwood and rosewood besides heavy ornamental furniture.

In the ancient times, goods of daily usable items, utensils, axes, toys and dolls for children were crafted with wood. Excavations at Indus valley civilization have proved the existence of woodcrafts. From simple forms, basic shapes and crude utilitarian wares, Indian woodcrafts developed and spread its wings to become one of the most beautiful and arty handicrafts of the subcontinent. Due to easy availability of varieties of wood, wood handicrafts could develop freely and gave a distinctive characteristic to the woodcrafts of each state.

The most common varieties used to make Indian handicrafts are teak, sal, oak, mango, ebony and mahogany. Sandalwood, sheesham, rosewood and walnut are the fascinating varieties and are expensive. These are used in producing fine pieces of furniture and decorative items. There has been a complete revival of the traditional and antique woodcraft, owning to its uniqueness. Indian artisans are experimenting with designs to create a blend of traditional and modern woodcraft.

Wooden boxes are chiseled out of exotic wood and finished with intricate carvings. Boxes are made from woods for different purposes, which are varied in designs. Wooden Jewellery Box has intricate carvings, brass inlay and hammered metal. These wooden Jewelry boxes are hand crafted by master craftsmen. The skills are reflected in the exotic woods that are veneered and inlaid with designs, and attractive bandings. Available in finishes of Oak, Walnut, Mahogany jewelry boxes have crushed velvet interior in red, green, purple, and blue color. Wooden gift box are excellent for packaging gift items meant for distance transportation. The wooden gift boxes are handcrafted and inlaid with design. Sometimes the messages are also engraved in the boxes to mark special occasions.

Beautifully carved out of wood, the wooden boxes are mainly enclosures for jewelry. These boxes often have intricate carvings, brass inlay and hammered metal. These wooden jewelry boxes are hand crafted by master craftsmen. The skills are reflected in the exotic woods veneered and inlaid with designs, and attractive bandings. Available in finishes of Oak, Walnut, Mahogany jewelry boxes have crushed velvet interior in red, green, purple, and blue color. Wooden jewelry boxes are expertly finished and smooth to touch. These luxurious jewelry boxes not only protect your jewelry but are excellent gift items also.

Wooden Pen Boxes are crafted out of wood to hold pen. Engraved with designs, boxes are available in single and double units. Made out of variety of woods, handcrafted wooden pen boxes are available in many finishes. Wooden music boxes are enchanting collectibles, which are uniquely charming and wonderfully romantic. With inlaid floral designs, imprinted with paintings and finished in lacquer, the wooden music boxes are meticulously hand crafted. Made of wood the music boxes come in various shapes - round, heart-shape, rectangular, and octagon and can also be used as Jewelry boxes. The ornate collection of wooden decorative items like Candle Holders, Napkin Rings, Picture Frames, Wall Hangings, Mirror Frames, Wooden Coasters, Ash Trays, Clocks, Letters, Name Plates comprise of a variety of artifacts and decorative pieces that truly compliments the décor and imparts an elegant look with its intricate carvings.

Scenes from the epics, particularly from the battlefield, forest and palaces are the themes for wood carving in India since ages. The tradition reached its excellence between 1420 and 1470, when king Zain-ul-Abadin built his capital, which testified to the richness of this heritage. The Kashmiri craftsman, however, rejoices in carving intricate and varied designs based on lively natural forms. A variety of carved products bear recurrent motifs of the rose, lotus and iris, bunches of grapes or pears and chinar leaves. Lhasa dragon motifs and pattans taken from Kani and embroidered shawls all find their place in wooden objects with deep relief carving.

Carved walnut woodwork is among the most important crafts of Kashmir. The wood is hard and durable, its close grain and even texture facilitating fine and detailed work. It also presents visually interesting effects with mere plain polished surfaces. Double-grooved battens hold thin sheets of wood together. The wooden sheets are cut into geometric shapes using a template to ensure that the pieces can be interchanged. These modules are fitted into the grooves of the battens and a repeat pattern is built up. Man, in his exuberance, seems to have devised further method of ornamenting wood by lacquering in which countless designs and colours can be executed. Udaipur in Rajasthan has a long tradition in lacquer ware. The kheradees are the traditional wood workers, enjoying a respectable position in the community.

Plain lac ornamentation of wood creates the striped patterns in resplendent blending of colours. The designs are zig or dana work, atishi or fire, abri or cloud, nakashi etc. The products made are usually tables, tea poys, lamps, decorative plates, chakla and belan, toys, pidis, small stools and so on. Lac is heated to get its plastic form. Then, the colours are added with simultaneous hammering and kneading to be made into sticks. The wooden article on which the lac has to be applied is smoothened by rubbing it with fine pottery powder. After this it is put on a lathe and rotated, while the lac stick is pressed against it. The friction softens the lac, which is then smeared all over. To apply more than one colour, the spots are left blank where more rounds are taken to cover up each with a different tint. A lac turner spins out his designs in various colours with a sharp chisel. A marble polish is given by rubbing with a bamboo edge and then with an oil rag. Ornamental lacquering involves zig - zig and dana work, atishi or fire abri or cloud, nakashi and etched nakashi, painted decorative work. A number of layers, usually four of lacquer in different shades, are made one over the other. On this the craftsman works out the design using chisel, and then scraps out the colours. Two types of colours, opaque and translucent are used.

Wood carving, one of Karnataka oldest crafts embellished the doors and ceilings of temples and temple chariots. The most popular and noteworthy example of it, however, are the sandalwood carvings, which are a hereditary craft, going back several generations. It is mainly a household craft. An abundance of sandalwood in the forests of Karnataka provides an ideal medium for delicate craftsmanship to that class of artisans popularly known as the Gudigars. Karnataka is famous for rosewood articles. It lends itself better to carving in the round than any other technique. Mostly modern furniture pieces and considerable variety of elephant figures, which are in great demand, are made in rose wood. It has superb example of structural carvings from ancient temples to modern palaces, with the massive over-door frames, bracketed pillars and architecture in several styles, varying in treatment and technique.

The types of carving are in round, in relief, chip, incised and piercing. First the object is totally detached from the background wood, therefore carving in the round of a human or animal figure calls for the utmost skill as the figure viewed from any angle, must maintain its correct identity. In relief, the figure is etched and can be high when it stands out boldly or flat as in low relief. Chip consists of design being evolved by chipping the wood used mostly in ornamental and decorative work. Incising is done without groundwork, mainly for flower and creeper traceries. Piercing is for effective ornamentation in which the wood is completely cut away leaving just the design and so calls for extra skill. There are two varieties in sandalwood- srigandha, (close grained and yellowish brown in colour) and nagagandha (darkish brown) from which oil is extracted. Sometimes rosewood and more often yellow teak are used for minor parts like pedestals, backboards or border pieces, to keep costs down.