Home > Entertainment > Indian Drama & Theatre > Theatre Personalities of Orissa
Theatre Personalities of Orissa
Theatre personalities of Orissa shaped the Oriya theatre with variety and a brand image.

Share this Article:

Theatre Personalities of OrissaTheatre personalities of Orissa are the eminent people who worked with effort to popularise Oriya Theatre. The Oriya theatre comprises of a lot of variety. The Theatre personalities of Orissa worked in puppetry, like Kundhei Nata, Sakhi-kundhei Nata, Ravana Chhaya and in balladry like Daskathia, Pala with equal proficiency. The devotional ritual forms of theatre in Orissa like Danda Nata, Bandi Nata and others were patronised by the theatre personalities of Orissa.

The diverse forms of Lila, including Yatra, Dhanu Yatra, Rahasa, Bharat Lila, mythological presentations such as Prahlada Nataka, Suanga, masked dance-drama like Chhau and Desia Nata, folk dance like Chaiti Ghoda Nata, and satire such as Mughal Tamsha are all famous today owing to the performances of the talented theatre personalities of Orissa. The rapid urbanization and the traditional elements are still visible in Oriya theatre, due to the visible efforts of the theatre personalities of Orissa.

The establishment of a permanent stage in 1875 by Jaga Mohan Lala in Mahanga village, Cuttack district, gave birth to contemporary Oriya theatre. Lala, one of the unforgettable theatre personalities of Orissa, also wrote the first Oriya social drama, Babaji i.e. "The Holy Man". The first play of the Oriya theatre personality Ramshankar Ray, Kanchi-Kaveri was presented in 1881 by an amateur group in Cuttack. Other early theatre personalities of Orissa included Bhikari Charan Patnaik, Kampal Mishra, and Godavarish Mishra. Gradually, interest for this kind of theatre grew among people. Meanwhile, permanent stages for Oriya theatre were erected by two chief theatre personalities of Orissa, namely Bira Bikram Dev`s Bikram Theatre at Khariar and Padmanav Rangalay at Paralakhemundi in Gajapati district.

Eventually, different professional troupes emerged that were lead by eminent theatre personalities of Orissa. Banamali Pati, one of the well known Oriya theatre artists did plays by Aswini Kumar Ghose but mostly toured parties. Kali Charan Patnaik was a reputed theatre personality of Orissa, who opened a company under a new name, Orissa Theatre, and housed in a permanent building (1942) at Banka Bazar, Cuttack. Also realising the changing tastes of the time, he transferred his interest to social plays. Govinda Chandra Surdeo, Mohansundar Deva Goswami, Ramchandra Mishra, Bhanja Kishore Patnaik, Gopal Chhotray, Ananda Sankar Das, and Kamal Lochan Mohanty are the reputed theatre personalities of Orissa.

The theatre personalities of Orissa have gained massive prominence in the recent day. Artists and dramatists are hired with the assurance of good remuneration. Actresses have been introduced. Modern theatre techniques are used and multi-stage systems have replaced single stages. To attract crowds, explicit scenes of violence, rape, and murder in the style of commercial films are performed.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.