Home > Entertainment > Indian Drama & Theatre > Gopal Chhotray
Gopal Chhotray
Gopal Chhotray was an Oriya author known for his contribution to musical and radio drama in Oriya language.

Share this Article:

Gopal Chhotray, Oriya Theatre PersonalityGopal Chhotray was born on 1916 in Puranagarh village, Jagatsinghpur district. He started his career following the footsteps of Kali Charan Patnaik, but soon built an identity of his own. His first play, Sahadharmini i.e. `Wife` in 1941, written for a competition arranged by the national War effort, was adjudged the best, encouraging him to enter Oriya theatre. In 1942 he acted for the professional Bharati Theatre in Cuttack. In 1946 he got his break as a dramatist when his play Pheria i.e. "Come Back" was staged by Annapurna Theatre. He wrote Bharasa i.e. "Confidence" in 1953. This was the first Oriya political play, Para kalam i.e. "The Quill" in 1954. Sankha-sindura i.e. `Conch-bangles and Vermilion` in 1955 and other scripts for professional stages were also written. His one-set experimental drama, Ardhangini i.e. `Better Half` in 1956, set a trend and is considered a milestone during the heyday of traditional theatre.

In the mid-1950s Chhotray joined All India Radio, Cuttack, as an employee, eventually penning over 200 radio plays that made him popular throughout Orissa. For the first time, he introduced radio serials, like Purapuri paribarika or "Only on Family", Sriharinka samsar i.e. "Srihari`s World", and Bibhrata i.e. "Pandemonium", much appreciated by listeners. In 1960, he adapted for the radio Baishnab Pani`s old musical Rangasabha, well received as a fresh operatic work. Besides adapting musicals by Pani and Balakrishna Mohanry, Chhotray wrote some himself. Oriya critics credit him with the revival of gitinatya i.e. lyrical drama, through fifteen original musical works in this genre. Chhotray`s Srimati samarjani i.e. "Mrs Broomstick", a broadcast dramatization of Fakir Mohan Senapati`s short story "Patent Medicine", is still remembered for its masterly craftsmanship. He also dramatized a few classic Oriya novels with superb skill and efficiency. He has been rightly applauded as a juggler of dialogue. His dialogues were always short and meaningful, direct and simple exchanges derived from real life, which enchanted his audiences. His humour has a special, natural flavour. Social problems provoke him and he tries to analyze them dramatically. He has scripted for films and is an accomplished short-story writer, too.

This article is a stub. You can enrich by adding more information to it. Send your Write Up to [email protected]


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.