Home > Entertainment > Indian Drama & Theatre > Bhikari Charan Patnaik
Bhikari Charan Patnaik
Bhikari Charan Patnaik was a dramatist who used Oriya theatre as a base to reform Oriya society

Share this Article:

Bhikari Charan Patnaik was a dramatist of Oriya theatre. He tried a lot to reform Oriya society. Born in 1877, he was a lawyer by profession. He wrote his first play Engrez kartrika Kataka vijaya or "Conquest of Cuttack by the British" in 1901. This became an instant success. This historical drama was written in Shakespearean style, then fashionable in educated Orissa. Patnaik followed history accurately, adding very little from imagination. But he wove the detailed descriptions of historical events beautifully into a rhythmic musical structure.

His Nandikeswari in 1915 faithfully dramatized a poem of the same name by the famous modern Oriya poet, Radhanath Ray. Perhaps the tragic element impressed Patnaik to dramatize it. Here, too, he followed the source, incorporating little of his own. It premiered at the Usha Pandal i.e. an amateur theatre in Cuttack in 1916. In the same year, Patnaik`s third play, Ratnamali in 1915, was first staged at the Kanika Rajbati Pandal. This was an original work. By this time he had mastered the art of weaving characters around a well-conceived plot loaded with human values.

Also in 1915 he wrote a social drama, Sansar chitra i.e. `Worldly Scenes` on the theme of dowry, for which reason the heroine commits suicide. Patnaik tried to create an atmosphere of awareness about this hazardous system. Sushila in 1917 was another social play. It dealt with female education rather radically. The dramatist tries here to show the harmful effects of Western education. Patnaik wrote two farces, Adbhuta adarsha i.e. "Strange Ideals" in 1909 and Youtuka i.e. "Dowry" in 1924. These also meant for awakening social consciousness. His Raja Purushottam in 1925, though a historical play, mainly depends upon legends and myth, while Nimpama in 1952 and Karma kshetra i.e. "Field of Work" in 1960 are part of his reformist attitude. In style Patnaik followed Ramshankar Ray. He was also a poet with innumerable compositions to his credit. Bhikari Charan Patnaik died in 1962.

This article is a stub. You can enrich by adding more information to it. Send your Write Up to [email protected]


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.