Home > Entertainment > Indian Drama & Theatre > Ramshankar Ray
Ramshankar Ray
Ramshankar Ray was popularly known as the father of Oriya theatre.

Share this Article:

Ramshankar Ray was a landmark in Oriya theatre. Although not the first Oriya dramatist, he is credited as the first successful playwright. In 1878 he saw a Bengali production in Cuttack and resolved to write drama in Oriya. His first play, Kanchi-Kaveri in 1880 was staged in 1881. He chose as hero Gajapati Purushottam Dev, illustrious king of the Surya dynasty of Orissa, through whose historic war with the king of Kanchi, Saluva Narasimha Dev, Ray depicted Oriya patriotism. The play won the hearts of audiences instantly by its popular nationalistic theme and attractive presentation

Ramshankar Ray never looked back and by 1917 had written as many as fourteen historical, mythological, and social works, including traditional Yatra, Lila, and downright farce. He was the first author to present Shakespeare in Oriya. He adapted The Tempest as Batiabala in 1882, and tried his best to adopt a Shakespearean style. However, keeping in view the taste of spectators, he had to follow Indian classical and folk traditions too.

Towards the end of the nineteenth century, under the influence of Western education, socially conscious Indian writers started dreaming of reform. Ray was no exception. In his social drama, he took on the role of a reformist. Kalikal in 1883 dealt with the harmful effects of alcoholism. Budhabara or "Old Groom" in 1892 dealt with problems created by older men marrying young girls. Bisha modak or `Poisonous Tablet` in 1900 dealt with intoxication and loans while Yuga-dharma i.e. "Dharma of the Age" in 1902 dealt with the rigidity of Hinduism. Elsewhere, he wrote about women`s education, development through industrialization, eradication of unemployment, and evils of the dowry system. He presented these issues in simple and lucid language, aided by ample but effective music. Even in his mythological plays, like Rama banabas or "Rama`s Exile" in 1891, Kamsavadh or "Kamsa`s Killing" in 1896, Chaitanya Ma i.e. "Chaitanya`s Lila" in 1906, and Ramabhishek i.e. "Rama`s Coronation" in 1917 his scientific outlook aimed to change the philosophy of Oriyas. Ramshankar Ray died in 1931.

This article is a stub. You can enrich by adding more information to it. Send your Write Up to [email protected]


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.