Parallel Cinema movement began to take shape in late 1940s and 1950s, with films like Chetan Anands Neecha Nagar and Satyajit Rays internationally recognised trilogy Pather Panchali, Aparajito and Apur Sansar. Art films which have also garnered commercial success at the movies include Bimal Roys Do Bigha Zamin (1953) and Guru Dutts Pyaasa (1957). Other early examples of such films in Bengali Cinema, where the movement traces its inception, are Ritwik Ghataks Nagarik and Ajantrik and Mrinal Sens Bhuvan Shome. Surrealism forayed in Kannada Cinema with N. Lakshminarayan's directorial debut Naandi (1964), a critical and commercial success that featured mainstream actors.
Parallel Cinema took a more prominent shape in Hindi films during the 70s and the 80s, with films like Uski Roti (1971), Maya Darpan (1972), Ankur (1974), Bhumika (1977), Ardh Satya (1983) and Kasba (1990). While Bhumika was based on the memoirs of a well-known Marathi stage and screen actress of the 40s, Hansa Wadkar, who led a flamboyant and unconventional life, Ardh Satya is an acclaimed cop drama that reflects the corruption and mafia-invaded contemporary India, where the protagonist is a cop struggling with both evils around him and his own frailties.
Artistic films started in Malayalam Cinema with pioneer Adoor Gopalakrishnans Swayamvaram (1972). His other films Elippathayam (1981) won the Sutherland Trophy at the London Film Festival and Mathilukal (1989) was acclaimed at the Venice Film Festival. Shaji N. Karuns Piravi (1989), Swaham (1994) and Vanaprastham (1999) were all recognised at Cannes Film Festival. Such films made in Tamil Cinema include Arangetram, Mouna Ragam, Roja, while those in Telugu include Nimajjanam, Thiladaanam and Vanaja.
Contemporary parallel films of Bollywood include Dor, Udaan, Gangs of Wasseypur, The Lunchbox amongst others. Independent films in Indian English are also occasionally produced, such as 15 Park Avenue (2006), Being Cyrus (2006) and The Last Lear (2007). The most recent example of an impeccable art film becoming commercially successful is Harpreet Sandhu's Canadian Punjabi Film Work Weather Wife (2014), which marks the beginning of parallel cinema in the Punjabi Film Industry.
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