Designs in Indian embroidery are shaped on the base of the surface and the design of the material and the stitch. The dot and the swap dot, the circle, the square, the triangle and permutations and combinations of these form the design. The famous Indian embroideries are as follows:
Aari: Aari work contains a hook, plied from the top but fed by silk fibre under with the fabric spread out on a frame.
Chikankari: Chikankari is a fine and elaborate stitching style which is believed to have been introduced by
Nur Jehan, the wife of
Mughal ruler Jahangir. A chikan piece is created by block printing patterns on it. Craftsmen then stitch sew along the pattern and the finished piece is later washed to eradicate traces of the prints.
Banjara Embroidery: Banjara embroidery is a mix up of mirrors and beadwork. Bright red, yellow, black and white coloured cloth is laid in bands and joined with a white criss-cross stitch.
Banni or Heer Bharat: The Banni or Heer Bharat embroidery creates in
Gujarat and is exercised mostly by the Lohana area. It is done with silk floss and it is famous for its liveliness and richness in colour pallets & design patterns.
Kantha: Kantha work is recognized for its simplicity. Kantha was done on flexible
dhotis and
sarees, with an easy running stitch along the edges.
Phulkari: Phulkari is the embroidery of
flower motifs on textile. Usually practised by
women of the house as an amusement, this embroidery is pretty a unique one. The stitches are embroidered on the reverse of the cloth so that the design takes shape in the front.
Chamba Rumal: This embroidery increased in the generous hill states of
Kangra, Chamba, Basholi, and other nearest provinces.
Gota: It is a shape of
applique in golden thread, used for women"s ceremonial attire.
Karchobi: It is raised zari metallic thread stitching created by sewing flat stitches on cotton lagging. This technique is usually used for bridal and formal
costumes as well as for velvet coverings, tent hangings, curtains and the coverings of animal carts and temple
chariots.
Zardozi: Original Zardozi work used
gold and
silver threads as well as pearls and expensive stones and the choice of fabrics too had to be majestic. Zardozi work uses a mixture of copper wire with silver or golden polish and silk threads.
Kashidakari: Kashidakari draws a lot from the
flora of the state. However, human and animal figures are not a part of this style of embroidery. An exclusive feature of Kashidakari is the Kashmiri
tea pot.
Kashmiri Kashida: Kashmiri embroidery, also known as Kashida is used for phirans and namdahs as well as stoles. It draws encouragement from nature.
Birds, blossoms and flowers, creepers, chinar leaves, ghobi,
mangoes, lotus, and
trees are the most common themes.
Pichwai: Multi-coloured embroidered cloth-hangings made in Nathdwara,
Rajasthan. The central themes for Pichwai were focused on
Lord Krishna.
Rabari: This very bright embroidery style, by the severe contrast was traditionally used only for garments, but now it can be found on bags, accessories, home furnishings, etc. Mirrors of all shapes and sizes are included in the embroidery, as an effect of the belief that mirrors protect from
evil spirits.
Toda: The stitching adorns the shawls. The shawl, called poothkuli, has red and black bands between which the stitching is done.
Applique work is seen in
Odisha and Gujarat. It is basically a patch work in which coloured pieces are cut and sewn on a plain cloth. Embroidery of
Kutch is known as Aribharat is very attractive. Embroidery of Lambada tribes of
Andhra Pradesh is worth mentioning here. It is done on fine cotton or polyester. Kantha stitch is practiced in
Bihar and West Bengal. Here the threads are picked from old materials.