Home > Entertainment > Indian Drama & Theatre > Babukodi Venkataramana Karanth
Babukodi Venkataramana Karanth
Babukodi Venkataramana Karanth was one of the most eminent theatre personalities in contemporary India.

Share this Article:

Babukodi Venkataramana Karanth, Kannada Theatre PersonalityBabukodi Venkataramana Karanth is a popular name in contemporary Indian theatre. Popularly known as B. V. Karanth, was nationally recognized for the rich variety and high quality of his achievements in various languages. He was also famous for directing plays, composing music, conducting workshops, translating or adapting, and heading prominent cultural organizations. He also directed such important films as Vamsha vriksha i.e. `Family Tree`, with Girish Karnad in 1971 and Chomana dudi i.e. `Choma`s Drum in 1975. B. V. Karanth also scored music for cine directors like Mrinal Sen and Girish Kasaravalli, and contributed significantly to children`s Theatre.

Babukodi Venkataramana Karanth was born in Manchi, in 1929. That is a small village in Dakshin Kannad district of Karnataka. Karanth first acted in the title role of Kuvempu`s Nanna Gopala i.e. "My Gopala" at the age of 7. While still in school, he left home to join Gubbi H. Veeranna`s company named Gubbi Company in 1944. He was there for six years. After this, he developed his interests in theatre, music, and literature. Gubbi sent him to Varanasi for higher studies. There he completed his MA in Hindi language at Banaras Hindu University and learnt classical music from Pandit Omkarnath Thakur. Subsequently, he enrolled at the newly established National School of Drama (NSD), worked in Delhi for a while as a school teacher and participated in theatre with Dishantar, and came back to his home state in the late 1960s.

By that time, a new theatre movement was taking shape in Karnataka of which he first became a catalyst and later a protagonist. From 1967, Babukodi Venkataramana Karanth directed plays, often at a feverish pace, travelled to different parts of Karnataka, and soon created a large following for his brand of theatre and music. The festival of plays he directed in Bengaluru during 1972 stands as a landmark in Kannada Theatre. By 1977, he was well known outside the Indian state of Karnataka and was nominated Director of the NSD during 1977-81.

Afterwards B. V. Karanth headed the Rangmandal in Bhopal during 1981-6 and Rangayana in Mysore during 1989-95, building up these repertories from the base. His major productions include Sircar`s Evam Indrajit in Bengaluru in 1969, Kambar`s Jokumaraswami in Bengaluru in 1972, Karnad`s Hayavadana in Bengaluru in 1973, G. B. Joshi`s Sattavara neralu i.e. `Shadow of the Dead` in Bengaluru in 1975. Some of the others can be mentioned as Shakespeare`s Macbeth as Barnam vana i.e. `Barnam Forest` in New Delhi in 1979, Tendulkar`s Ghashiram Kotwal in Bhopal in 1982, and P. T. Narasimhachar`s Gokula nirgamana i.e. `Departure from Gokula` in Heggodu in 1993.

The significance of Karanth`s work in Kannada theatre lies in three areas. First, he rescued the arid amateur theatre by bringing celebration and theatricality back into it. Second, he invented an intuitive synthesis of the best of Company Nataka, amateur experimentation, and folk forms like Yakshagana and that too inspiring a fashion for nativism. Third, in theatre music, he achieved an inimitable balance between song and speech, melody and meaning. His movie Chomana Dudi won many national and international awards including National Award for "Best Film". The Government of India honoured him with the Padma Shri.

B. V. Karanth was settled in Bengaluru in his later stage, freelancing as feverishly as when he began his career. He died in 2002 at the age of 73.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.