Home > Entertainment > Music in India > Anokhelal Mishra
Anokhelal Mishra
Anokhelal Mishra, famed as the Samrat of Tabla playing, had exceptional skills which fetched him the repute of being the wizard of specific Tabla syllables. This great accompanist and soloist was greatly admired for his simplicity and sobriety.

Share this Article:

Anokhelal Mishra, Indian Classical InstrumentalistAnokhelal Mishra, also known as Pandit Anokhelalji, was an esteemed Tabla player belonging to the Banaras Gharana of Hindustani classical music. He was recognized as the Samrat (king) of Tabla playing and was often addressed as Tabla Samrat Pandit Anokhelal Mishra. He was known for his sombre nature and simple lifestyle who restrained publicizing himself as a celebrity. He was called as the wizard of specific Tabla syllables like `Dhere Dhere Kite Taka` and `Na Dhin Dhin Na` (theka of Teen Taal- 16 beats). He was also accredited for popularizing the Banaras style of Tabla.

Early Life of Anokhelal Mishra
Anokhelal Mishra was born in the year 1914 in Varanasi of the Indian state Uttar Pradesh to a very poor family. He had learnt Tabla under the tutelage of Bhairow Prasad Mishra. The latter after discovering his talent enrolled him in the Banaras Gharana of Ram Sahaiji as a student of Tabla at the age of 5 or 6 years. For about 15 years, Anokhelal Mishra learnt the skills of playing Tabla under Bhairow Prasad Mishra, who himself was the disciple of Bhagat-ji. The latter was in turn the disciple of the founder of Banaras Gharana, Ram Sahai. Among the noted disciples of Bhairav Prasad Mishra like Nageshvar Prasad, Mahadev Prasad Mishra, Mahavir Bhatt and Maulvi Ram Mishra, the most renowned was Anokhelal Mishra. As a teenager Anokhelal Mishra had lost his parents after which his grand mother brought him up. During his childhood, he had a close encounter with deprivation and poverty.

Anokhelal Mishra, Indian Classical Instrumentalist Career of Anokhelal Mishra
Throughout his musical life Anokhelal Mishra used to have extensive practice sessions daily for long hours under the guidance of his Guruji. His expertise in playing the syllables of Tabla with considerable clarity was greatly admired. He was skilled in playing the syllable `Na Dhin Dhin Na` very fast with his first finger. He was known to be a great accompanist as well as soloist. During his career he had rendered a number of solo concerts. He had also accompanied several renowned classical dancers and musicians including Ustad Ali Akbar Khan, Ustad Vilayat Khan, Ustad Allauddin Khan and many more. In his short life span he managed to perform throughout the country at a regular basis. For many a time he performed in the National Programme of Music on All India Radio, which during that period was considered to be a prestigious matter. In late 1950s the Voice of America also broadcasted his programs. Many disciples of Anokhelal Mishra such as Chakkan Lal Mishra, Partha Nath Shastry, Bityut Banerjee, Chandra Nath Shastri etc have established themselves as prominent entity in the world of Indian classical music. The album `Samrat Rare Gems, Tal: Teental`, (Duration: 45.27mins) accompanied in Harmonium by Gyanprakash Ghosh contains his recordings dating back to 26th of December 1957 in a music concert.

Death of Anokhelal Mishra
Anokhelal Mishra died on 10th March 1958 at the age of 44 after being afflicted by Gangrene of his left foot in the year 1956.


Share this Article:

Related Articles

More Articles in Music in India


Manjira - Musical Instrument
Manjira, also known as tala, manjeera, jalra, kartal, or khartal, is a traditional Indian percussion instrument. It consists of a pair of small hand. Manjira is widely used in religious ceremonies, folk music, and classical performances, showcasing its versatility and cultural significance.
Bhavageete
Bhavageete is a form of expressionist poetry in light music. It is a significant genre of folk music that unfolds the realities of life in an eloquent manner.
Kriti Carnatic Music
Kriti refers to one of the most widely used genres of Carnatic music. It originated from the kirtanas of the bhaktas, i.e., musicians who expressed their religious devotion through songs.
Music of Uttarakhand
Music of Uttarakhand has its roots in nature. The folk music of Uttarakhand is based on traditions, festivals and folk legends.
Music of Arunachal Pradesh
Music of Arunachal Pradesh reflects the socio cultural life of the people of that state. Music forms an integral part of the festivities of Arunachal Pradesh.
Rajasthani Musical Instruments
Rajasthani musical instruments are widely used as accompaniments as well as individually for entertainment.
Music of Tamil Nadu
Music of Tamil Nadu has an eminent charisma that reflects the pristine essence of the ancient art and culture of the region.
Thumri
Thumri belongs to the light classical genre of North Indian Classical Music that originated in the 15th century. It is known for its emotive melodies, poetic lyrics, and expressive renditions. Primarily sung by female vocalists, Thumri has evolved into a cherished form of music, captivating audiences with its melodic compositions.
Music of Kerala
With its origin in the primitive dances and plays, the music of Kerala has evolved to a high aesthetic sensitiveness and great technical sophistication since ancient times.
Ektara String Instrument
Ektara is a one-string instrument which is most often used in folk music in India. The Ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger.
Indian Musical Instruments
Indian musical instruments can be broadly classified into four categories like stringed, wind, Ghana Vadya and percussion.
Indian Folk Music
Indian Folk Music is full of rustic charm. The appeal of Indian folk music lies in the simplicity of its style and lyrics. Most of the folk songs are accompanied by dances.
Musical Instruments of Assam
Musical Instruments of the Assam are numerous which brings out the richness of the folk culture of the state.
Haryanvi Music
Haryanvi music is the folk music of the state of Haryana and is sung in western Uttar Pradesh along with the neighbouring districts of Rajasthan and Punjab.
Folk Music of West Bengal
Folk Music of West Bengal is practiced in different parts of West Bengal which is the semi-classical devotional genre of Kirtan.
Indian Classical Music
Indian Classical music originated in the Vedas and later branched into two streams of Carnatic and Hindustani music.
Musical Instruments of Ancient India
Musical Instruments of Ancient India, since time immemorial have contributed in making the Indian music more enchanting. A number of instruments have developed over time, which still finds a significant place in the music of modern era.
Carnatic Music
Carnatic music, also known as `Karnataka Sangitam`, is one of the two styles of Indian classical music.
Dotara - Muscial Instrument
The Dotara is a traditional musical instrument originating from Eastern India. This plucked-string instrument holds cultural significance in the region, producing melodious tunes that have been cherished for generations.
Tumbi Muscial Instrument
Tumbi is a type of string instrument that is mostly used in north Indian folk music. It features a high-pitched sound produced by a single metallic string. Popularized by Punjabi singers, the Tumbi has also made its mark in Western music also.
Xylophone Musical Instrument
Xylophone is a musical instrument consisting of several wooden bars which are struck with mallets; it belongs to the family of percussion instruments.