Home > Entertainment > Music in India > Tapan Bhattacharaya
Tapan Bhattacharaya
Tapan Bhattacharaya has been regarded as a far famed Hindustani classical vocalist who has established his expertise in several forms of classical music.

Share this Article:

Tapan Bhattacharaya, Indian Classical VocalistTapan Bhattacharaya an illustrious Hindustani classical vocalist currently resides at Chicago, United States of America. For the last two decades, he has been involved in executing and conducting seminar-workshops on Hindustani classical vocal music in North America. Tapan Bhattacharaya today has been reckoned as the advocator of several forms of Indian classical music including Khayal, Thumri-Dadra, Tappa, classical Bhajans, Bengali Ragprodhan and old style Bengali songs and devotional songs. He has always attempted to represent his music in an astute blend of technical complexity and tender emotions.

Early Life of Tapan Bhattacharaya
Tapan Bhattacharaya during his early training period received training from the Arya Sangeet Vidyapeeth of Kolkata and Sri Akhilbandhu Ghosh, who was a disciple of noted Sri Tarapado Chakravarty and Chinmoy Lahiri. Mr. Shankar Bose of Kolkata later on trained him. Mr. Shankar Bose was a disciple of Nagendranath Datta of Ranaghat, Mehdi Hossain Khan of Rampur Gharana and Bade Ghulam Ali Khan of Patiala Gharana.

Career of Tapan Bhattacharaya
Tapan Bhattacharaya has performed at many concerts and seminars. He has also conducted many workshops as an invited guests at respective musical and cultural organizations, Toronto & Chicago TV and educational institutions, such as the Raagmala of Toronto, Hindustani classical music society of Ottawa, Tribeni of Buffalo, N.Y., Bengali Association of greater Chicago, Indian Classical Music Society of Chicago, the Vedanta Societies of Chicago, Seattle, and Nashville, Cultural Committee of the City of Chicago, Williams College, Massachusetts and the Unitarian Church-Bharat Samaj of Evanston, Illinois. In the year 1984, he fetched the honour of being the coordinator of a seminar and concert `on the evolution of music in Bengal` at the prestigious Bengal Studies Conference organized by the South Asian Studies Department of the University of Toronto. Several towering academicians and scholars attended this seminar. The seminar received rave acclamation.

Tapan Bhattacharaya in the respective years of 1992 and 1994 was invited to conduct lecture-demonstration on Bengali Tappa and classical songs at the North American Bengali Conference (NABC) in Toronto and Houston in the order. In the year 1993, he was selected as an invited artist to perform at the Parliament of Religions held at Chicago. During the summer of 1999 in Mumbai, Tapan Bhattacharaya was officially acquainted to the foremost teachers of Hindustani vocal music. At that occasion he rendered a performance of Khayal and Thumris.

Musical Records of Tapan Bhattacharaya
In the years 1989 and 1990 respectively Tapan Bhattacharaya brought forth two audiocassettes on Thumris, Bhajans and classical Bengali songs. He has also launched a CD of Khayal, Thumri and Bhajan in the year 2001. This CD has received well appreciation throughout the world. Apart from all these he has also contributed many articles written by him in music journals on various prospects of Indian classical music. He has also written criticisms and liner notes for CDs of eminent musicians.

Other Ventures of Tapan Bhattacharaya
Tapan Bhattacharaya for the last two decades stays in Canada and U.S.A. and simultaneously gives training to the aspiring students of different ages and nationalities about the art and science of classical vocal music. Under the Master-Apprenticeship program (2000-01, 2002-3), the Illinois Arts Council has been conferred grants for his teaching of Hindustani vocal music. Apart from being an illustrious Hindustani classical music vocalist Tapan Bhattacharaya also possesses a professional identity of being a biologist. He is a doctoral degree holder and presently serves the College of Medicine, University of Illinois at Chicago.


Share this Article:

Related Articles

More Articles in Music in India


Manjira - Musical Instrument
Manjira, also known as tala, manjeera, jalra, kartal, or khartal, is a traditional Indian percussion instrument. It consists of a pair of small hand. Manjira is widely used in religious ceremonies, folk music, and classical performances, showcasing its versatility and cultural significance.
Bhavageete
Bhavageete is a form of expressionist poetry in light music. It is a significant genre of folk music that unfolds the realities of life in an eloquent manner.
Kriti Carnatic Music
Kriti refers to one of the most widely used genres of Carnatic music. It originated from the kirtanas of the bhaktas, i.e., musicians who expressed their religious devotion through songs.
Music of Uttarakhand
Music of Uttarakhand has its roots in nature. The folk music of Uttarakhand is based on traditions, festivals and folk legends.
Music of Arunachal Pradesh
Music of Arunachal Pradesh reflects the socio cultural life of the people of that state. Music forms an integral part of the festivities of Arunachal Pradesh.
Rajasthani Musical Instruments
Rajasthani musical instruments are widely used as accompaniments as well as individually for entertainment.
Music of Tamil Nadu
Music of Tamil Nadu has an eminent charisma that reflects the pristine essence of the ancient art and culture of the region.
Thumri
Thumri belongs to the light classical genre of North Indian Classical Music that originated in the 15th century. It is known for its emotive melodies, poetic lyrics, and expressive renditions. Primarily sung by female vocalists, Thumri has evolved into a cherished form of music, captivating audiences with its melodic compositions.
Music of Kerala
With its origin in the primitive dances and plays, the music of Kerala has evolved to a high aesthetic sensitiveness and great technical sophistication since ancient times.
Ektara String Instrument
Ektara is a one-string instrument which is most often used in folk music in India. The Ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger.
Indian Musical Instruments
Indian musical instruments can be broadly classified into four categories like stringed, wind, Ghana Vadya and percussion.
Indian Folk Music
Indian Folk Music is full of rustic charm. The appeal of Indian folk music lies in the simplicity of its style and lyrics. Most of the folk songs are accompanied by dances.
Musical Instruments of Assam
Musical Instruments of the Assam are numerous which brings out the richness of the folk culture of the state.
Haryanvi Music
Haryanvi music is the folk music of the state of Haryana and is sung in western Uttar Pradesh along with the neighbouring districts of Rajasthan and Punjab.
Folk Music of West Bengal
Folk Music of West Bengal is practiced in different parts of West Bengal which is the semi-classical devotional genre of Kirtan.
Indian Classical Music
Indian Classical music originated in the Vedas and later branched into two streams of Carnatic and Hindustani music.
Musical Instruments of Ancient India
Musical Instruments of Ancient India, since time immemorial have contributed in making the Indian music more enchanting. A number of instruments have developed over time, which still finds a significant place in the music of modern era.
Carnatic Music
Carnatic music, also known as `Karnataka Sangitam`, is one of the two styles of Indian classical music.
Dotara - Muscial Instrument
The Dotara is a traditional musical instrument originating from Eastern India. This plucked-string instrument holds cultural significance in the region, producing melodious tunes that have been cherished for generations.
Tumbi Muscial Instrument
Tumbi is a type of string instrument that is mostly used in north Indian folk music. It features a high-pitched sound produced by a single metallic string. Popularized by Punjabi singers, the Tumbi has also made its mark in Western music also.
Xylophone Musical Instrument
Xylophone is a musical instrument consisting of several wooden bars which are struck with mallets; it belongs to the family of percussion instruments.