Home > Entertainment > Music in India > Contribution of Rahimat Khan to Music
Contribution of Rahimat Khan to Music
Contribution of Rahimat Khan to the field of music has had immense impact on musical culture of India.

Share this Article:

Contribution of Rahimat Khan in the field of music has left an indomitable impact on the field of Indian classical music. Rahimat Khan was born in a family where music was considered an important part of day to day living. In such an outpour of music of Gwalior Gharaanaa, the fountainhead of Hindustani classical music, Rahimat Khan began to learn singing at the age of four at his father`s feet. Besides, his maternal uncle Gulaam Nabib Khan, the Court Hakeem and sitar player, used to stay with his father. As soon as lessons in singing were over, Rahimat Khan would run to his uncle for sitar lessons. The call of the sitar grew stronger and stronger.

With time, Rahimat Khan, gained proficiency in singing and also in sitar, and received immense adulation for both from his guru and from listeners or audiences. From a very young age Rahimat Khan concentrated on the sitar, the instrument that was to make him immortal. Mumbai was the hub of musical activity, thanks to Bhatkhande and Paluskar. Naturally, Mumbai beckoned Rahimat Khan. All over Mumbai his concerts were held and his sitar play captured the hearts of music lovers and connoisseurs alike. He moved over to Pune where also his new sitar continued its conquests.

Rahimat Khan was a sitar player par excellence. His style was a fine blend of the melody of Beenkaar Gharaana, the high seriousness and infallible Layakaari of Gwalior Gharaana, coupled with Gaayaki Ang (the vocal touch).

Rahimat Khan belongs to a family steeped in a hoary tradition of music. Three generations before and after him have been musicians in his family. His father Gulaam Hussain Khan was a vocalist in the Court of Bhavanagar princedom. His grandfather Madaar Baksh was a vocalist and sitar player in the Court of Ratlam principality. His great grandfather was a vocalist in the Courts of Indore and Ratlam.

Rahimat Khan`s son, A. Karim Khan retired as Professor of Sitar from Karnatak College, Dharwad as also from the Academy of Music, Goa. Another son of Rahimat Khan, Satish Kumar, was a Staff Sitar Artiste in All India Radio, Delhi (A.I.R.). Yet another son Dastagir Khan, also a sitarist, runs a musical instruments shop at Mumbai.

Seven of Rahimat Khan`s nine grandsons are Sitarists. Usman Khan has settled at Pune, Bale Khan retired as staff artist from A.I.R. Dharwad. Mehboob Khan has settled at Mumbai. Hamid Khan is Principal of Karnatak College of Music, Dharwad. Chote Rahimat Khan teaches sitar at Goa Academy. The last twin grandsons, Shafique Khan and Rafique Khan, are staff artistes in A.I.R. Mangalore and Gulbarga.

Ever since he passed away in 1954, Rahimat Khan`s memory is kept alive through a music fete every year. First it was in Pune till 1961, when the family shifted to Dharwad, dislodged by the catastrophic Mula-Mutha flood. Since then it has been at Dharwad.

Artists like Hirabai Bododekar, Mallikarjun Mansur, Gangubai Hangal, Basavaraj Raj guru, Bhimsen Joshi, Prabha Atre, Rasiklal Andharia, Jitendra Abhiseki, Kankan Banerjee, Pandit Pratap Narayan, Prabhakar Karekar, Sangameshwar Gurav, Ashwini Bhide, Padma Talavalkar, Shruti Sadolikar, N.Rajam (Violin), Rajeev Taranath (Sarod), Vishwamohan Bhat (Mohan Veena), Brij Narain (Sarod) and a host of others have been featured in Rahimat Khan`s punyatithis. Many youngsters are provided exposure. Quite a few times, it has been a three-day music-dance festival. Over the years it has come to be so well-organized that music-lovers look forward to it.


Share this Article:

Related Articles

More Articles in Music in India


Manjira - Musical Instrument
Manjira, also known as tala, manjeera, jalra, kartal, or khartal, is a traditional Indian percussion instrument. It consists of a pair of small hand. Manjira is widely used in religious ceremonies, folk music, and classical performances, showcasing its versatility and cultural significance.
Bhavageete
Bhavageete is a form of expressionist poetry in light music. It is a significant genre of folk music that unfolds the realities of life in an eloquent manner.
Kriti Carnatic Music
Kriti refers to one of the most widely used genres of Carnatic music. It originated from the kirtanas of the bhaktas, i.e., musicians who expressed their religious devotion through songs.
Music of Uttarakhand
Music of Uttarakhand has its roots in nature. The folk music of Uttarakhand is based on traditions, festivals and folk legends.
Music of Arunachal Pradesh
Music of Arunachal Pradesh reflects the socio cultural life of the people of that state. Music forms an integral part of the festivities of Arunachal Pradesh.
Rajasthani Musical Instruments
Rajasthani musical instruments are widely used as accompaniments as well as individually for entertainment.
Music of Tamil Nadu
Music of Tamil Nadu has an eminent charisma that reflects the pristine essence of the ancient art and culture of the region.
Thumri
Thumri belongs to the light classical genre of North Indian Classical Music that originated in the 15th century. It is known for its emotive melodies, poetic lyrics, and expressive renditions. Primarily sung by female vocalists, Thumri has evolved into a cherished form of music, captivating audiences with its melodic compositions.
Music of Kerala
With its origin in the primitive dances and plays, the music of Kerala has evolved to a high aesthetic sensitiveness and great technical sophistication since ancient times.
Ektara String Instrument
Ektara is a one-string instrument which is most often used in folk music in India. The Ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger.
Indian Musical Instruments
Indian musical instruments can be broadly classified into four categories like stringed, wind, Ghana Vadya and percussion.
Indian Folk Music
Indian Folk Music is full of rustic charm. The appeal of Indian folk music lies in the simplicity of its style and lyrics. Most of the folk songs are accompanied by dances.
Musical Instruments of Assam
Musical Instruments of the Assam are numerous which brings out the richness of the folk culture of the state.
Haryanvi Music
Haryanvi music is the folk music of the state of Haryana and is sung in western Uttar Pradesh along with the neighbouring districts of Rajasthan and Punjab.
Folk Music of West Bengal
Folk Music of West Bengal is practiced in different parts of West Bengal which is the semi-classical devotional genre of Kirtan.
Indian Classical Music
Indian Classical music originated in the Vedas and later branched into two streams of Carnatic and Hindustani music.
Musical Instruments of Ancient India
Musical Instruments of Ancient India, since time immemorial have contributed in making the Indian music more enchanting. A number of instruments have developed over time, which still finds a significant place in the music of modern era.
Carnatic Music
Carnatic music, also known as `Karnataka Sangitam`, is one of the two styles of Indian classical music.
Dotara - Muscial Instrument
The Dotara is a traditional musical instrument originating from Eastern India. This plucked-string instrument holds cultural significance in the region, producing melodious tunes that have been cherished for generations.
Tumbi Muscial Instrument
Tumbi is a type of string instrument that is mostly used in north Indian folk music. It features a high-pitched sound produced by a single metallic string. Popularized by Punjabi singers, the Tumbi has also made its mark in Western music also.
Xylophone Musical Instrument
Xylophone is a musical instrument consisting of several wooden bars which are struck with mallets; it belongs to the family of percussion instruments.