Life and career of Gautam Bhatia
Born in 1952, Gautam Bhatia graduated in fine arts and did his post-graduate studies in Architecture at the University of Pennsylvania. Gautam Bhatia is a famous name in the field of writing. He is the recipient of several national and international awards for his architectural work and study. He is the author of Laurie Baker: Life, Works, Writings; Punjabi Baroque and Other Memories of Architecture; Silent Spaces and Other Stories of Architecture; Malaria Dreams and Other Visions; Panchatantra: Parables for the 21st Century and a Short History of Everything. He lives and practices in New Delhi as well.
History of Panchatantra
Panchatantra has served as a source, directly or indirectly, for many works of modern literature, which can be traced to Geoffrey Chaucer, John Gower, Giovanni Boccaccio and even William Shakspeare's works. In 1800 AD, Jonathan Scott epitomized the Bengal manuscript as 'Tales, Anecdotes and Letters'. Most people in modern world may not have heard of the Panchatantra. But anyone with any claim to literary education would be familiar to commonly used titles like 'Fables of Bidpai' or the 'Tales of Kalila and Dimna' - which are merely translations or adaptations of Panchatantra. The fact that even before 1888, there were at least 20 English translations of this great Eastern Classic - makes one wonder how widely circulated this book was. As a matter of fact, no other book, other than the Bible, has ever enjoyed such intensive worldwide circulation.
Although the original texts of the Panchatantra are long lost, it survived through numerous commentaries and recessions, most notable of them being the Hitopadesha by Narayana, Durgasimha's Kannada translation of 1031 AD, Purnabhadra's recension of 1199 AD, and Franklin Edgerton's 1924 reconstruction of the Sanskrit text of the original Panchatantra.
It is evident from history that Panchatantra had an unprecedented impact on early scholars, as it travelled to Persia, Arabia, Greece and Europe. During the Sassanid reign of Khosru I Anushiravan, Burzoy, the court physician to the Emperor of Iran, translated the Panchatantra into Pahalvi (Middle Persian) language, as early as 570 AD. His work was further translated by Buda Abdul Inu, a priest, into Syriac 'Kalilag and Damnag'. The title of this work was derived from Karataka and Damanaka, two jackals in a frame story of the Panchatantra. The manuscript of this work survives, and remains preserved. Burzoy's work was also translated by Rudaki into Persian verses.
Synopsis of Panchatantra for 21st Century
This book 'Panchatantra - Parables for 21st Century' is written by Gautam Bhatia Inspired by James Finn Garner's politically Correct Bedtime Stories, best-selling author Gautam Bhatia takes the men, women and animals of the Panchatantra and relocates them in contemporary India with its newly acquired notions of political correctness. This book is very interesting in sense that this book explains the total thing in a beautiful manner. The original text, now lost may have been written down between 100 BC and AD 500.
Inspired by James Finn Garner's Politically Correct Bedtime Stories, best-selling author Gautam Bhatia takes the men, women and animals of the Panchatantra and relocates them in contemporary India with its newly acquired nations of political correctness. So we have the fiercely vocal lesbian feminist, Yajnadatta, who leaves her husband for a woman; the expatriate dog Chitranga who flees racial persecution in the West; and a mongoose with an Oedipus complex, armed with a .45 Colt. As these characters engage with the burning issues of the day unemployment, oppression, environmental pollution, sexual incompatibility they lay bare the hilarious absurdities of this muddled world.
The original Panchatantra by Pandit Vishnu Sharma was a collection of fables intended to inspire courage and selflessness; Bhatia reinvents them to reflect the amoral paradoxes of the 20th century.
The sacred rivers and banyan dotted landscape of Vishnu Sharma's Vedic Age have been replaced by nuclear reactors, sluggish streams and the psychedelic flash of fluorescent lights. The wily jackals, clever crows and naive Brahmins give way to repugnant and rapacious creatures: an oedipal mongoose, a lesbian feminist, an expatriate dog, an environment-conscious tortoise, a battery of monstrously greedy Brahmins.
In each of these stories, Bhatia writes with a rapier pen and sabre eyes, lancing in unforgiving way at every preposterous detail of modern life: unemployment, sexual incompatibility, environmental pollution, hypocrisy and corruption.
The characteristic relish for the absurd is there but the indulgent affection is absent. "I didn't intend to paint a grim picture," says Bhatia. Unwittingly, he has - because even the most excessive leap of his imagination is still only a disturbing approximation of reality.