Panini, Sanskrit Grammarian - Informative & researched article on Panini, Sanskrit Grammarian
  Indianetzone: Largest Free Encyclopedia of India with thousand of articles Indian Literature


in  
Art & Culture | Entertainment | Health | Reference | Sports | Society | Travel
Forum  | Free E-magazine
Indian Literature : Indian Literature l History of Indian Literature l Sanskrit Literature l Indian English Literature l Regional Indian Literature l Indian Comics l Indian Poetry l Indian Literary Personalities l Indian Epic Poetry l Renaissance in Indian Literature l Indian Novels l Indian Literary Organisations l Indian Literary Movements l Contemporary Indian Literature l Medieval Indian Literature l Ancient Indian Literature l Themes In Indian Literature l Genres in Indian Literature l Influencing Factors On Indian Literature l Forms of Indian Literature l Religious Influence on Indian Literature l Modern Indian Literature l Vedas
Home > Reference > Indian Literature > Sanskrit Literature > Panini
Panini, Sanskrit Grammarian
Panini was a well-known grammarian of Sanskrit language.
  Dakshi   Ashtadhyayi by Panini    

Panini, Sanskrit GrammarianPanini is described in the history as the greatest known grammarian of ancient India. His work on the Sanskrit language has up to the present day remained the standard of Sanskrit grammar. His qualities are so great, that Panini was ranked among the Rishis, or inspired seers, and at a later period of Sanskrit literature, was supposed to have received the fundamental rules of his work from the Lord Shiva himself.

There is a little knowledge of the personal history of Panini. It is only known that he was a native of the village Salatura. Salatura was situated north-west of Attock, on the Indus. Thus his surname is Salaturiya. Dakshi was Panini`s mother and thus from his mother`s side he must have been a descendant of the celebrated family of Daksha. In a story book, the Kathasaritsagara which signifies the ocean for the rivers of tales gives, indeed, some circumstantial account of the life and death of Panini. The narrative of this book is very absurd, and the work itself is of a modern date. It was written in Cashmere, at the commencement of the twelfth century that no credit whatever can be attached to the facts related by it, or to the inferences which modem scholars have drawn from them.

According to the research is probable that Panini lived before Sakyamuni. Sakyamuni was the founder of the Buddhist religion, whose death took place about 543 B.C., but that a more definite date of the great grammarian has but little chance of ascertainment in the actual condition of Sanskrit philosophy.

Panini`s grammar consists of eight Adhyayas, or books. Each book comprised of four Padas, or chapters, and each chapter a number of Sutras or aphoristically rules. The latter amount in the whole to 3996; but three, perhaps four, of them did not originally belong to the work of Panini. The arrangement of these rules differ completely from what a European would expect in a grammatical work, for it is based on the principle of tracing linguistic phenomena, and not concerned in the classification of the linguistic material as to the so-called parts of speech.

A chapter, for instance, treating of prolongation of vowels, will deal with such a fact whenever it occurs, be it in the formation of bases, or in conjugation, declension, composition and many more. The rules of conjugation and declension are, for the reason, not to be met with in same chapter or in the same order in which European grammars would teach them; nor would any single book or chapter, however apparently more systematically arranged.

In a universal way, Panini`s work may thus be called a natural history of the Sanskrit language, in the sense that it has the strict tendency of giving an accurate description of facts, instead of making such a description subservient to the theories according to which the linguistic material is usually distributed by European grammarians. As the method of Panini requires in a student the power of combining many rules scattered all over the work, and of combining, also, many inferences to be drawn from these rules, it exercises, moreover, on the mind of the student an effect analogous to that which is supposed to be the peculiar advantage of the study of mathematics.

Katyayana disapproved the grammatical rules of Panini. Many authors commented the rules of Panini. The best existing commentary on them is that called the Kasikavritti, by Vamana Jayaditya, which follows these rules in their original order. At a later stage attempts were made to arrange the rules of Panini in a manner which approaches more to the European method; the chief work of this category is the Siddhanta Kaumuti, by Bhattojidikshita. Panini mentions, in his Sutras, several grammarians who preceded him, amongst others, Sakatayana.

At present therefore, Panini`s work still remains the oldest existing grammatical work of India, and probably of the human race. Panini`s use of metarules, transformations, and recursion together make his grammar as rigorous as a modern Turing machine. Panini`s grammar can be considered to be the world`s first formal system. To design his grammar, Panini used the method of `auxiliary symbols`, in which new affixes are designated to mark syntactic classes and the control of grammatical derivations. This technique was rediscovered by the logician Emil Post and is now a standard method in the design of computer programming languages.

(Last Updated on : 23/09/2009)
  More Articles in Sanskrit Literature
 
Contribution of South India to Sanskrit Kumarasambhava Sanskrit Literature During the Gupta Age
Titles of Honour in Sanskrit Proficiency Tulsidas Kalidasa
Anala Narayana Bhattatiri Rajasekhara
Dhvani Mallinatha Bharavi
Mattavilasa Prahasana Appaya Dikshita Ananda Giri
Fairy tales and fables in Sanskrit Literature Classical Poetry in Sanskrit Literature Scholarly treatises in Sanskrit Literature
Panini Bhatti Kavya Bhartrihari
Gadyakarnamrita Jayadeva Geeta Gobinda
Kalhana Kathasaritsagara Harisena
Vatsabhatti Raghuvanga Bharavi
Bhatti Kumaradasa Magha
Asvaghosha Shishupala Vadha Amaru
Sanskrit Secular Poetry Sanskrit Religious Poetry Sanskrit Anthologies
Sanskrit Gnomic Poetry Sanskrit Didactic Poetry Origin of Fable in Sanskrit
Historical Kavya in Sanskrit Literature Banabhatta Brihatkatha
Dandin Subandhu Vasavadatta
Somadeva Development of Sanskrit Literature Brihatkathmanjari
Sanskrit Scientific Literature Origin of Sanskrit Lexicography Features of Sanskrit Literature
School of Early Poetics    
Recently Updated Articles in Indian Literature
  • Arunakiriyar
    Arunakiriyar was a Tamil poet saint who is credited with the composition of the devotional poetic anthology titled Thiruppugazh. The work is devoted to Lord Murugan.
  •  
  • Thiruppugazh
    Thiruppugazh or Tiruppukal is a poetic anthology in Tamil language that is devoted to Lord Kartikeya, known as Murugan in Tamil. It was composed by a poet saint named Arunakiriyar.
  •  
     
  • Astappirapantam
    Astappirapantam is a popular poetic anthology series in Tamil Literature. Several of the peotic works in Astappirapantam anthology were written with astonishing talent and creativity.
  •  
  • Talapuranams
    Talapuranams in Tamil literature were implemented as instruments for describing tales based on real life situations. The most well known Talapuranam was composed by Parancoti.
  •  
  • Puranas in Tamil Literature
    Puranas in Tamil literature were primarily based on the Sanskrit Puranas. Some of the renowned Tamil Puranas are Kantapuranam, Ilinkapuranam, Kurmapuranam, Ariccantira puranam and others.
  •  
    E-mail this Article | Post a Comment
    RSS Feeds
    Forum
    Forum on Indian Literature

    Free E-magazine
    Subscribe to Free
    E-Magazine on Indian Crafts
     
     
    Panini, Sanskrit Grammarian - Informative & researched article on Panini, Sanskrit Grammarian
    Sitemap
    Contact Us   |   RSS Feeds
    Copyright © 2008 Jupiter Infomedia Pvt. Ltd. All rights reserved including the right to reproduce the contents in whole or in part in any form or medium without the express written permission of Jupiter Infomedia Pvt. Ltd.