Traditional Theatre of Eastern India is the cultural junction point of the eastern India. Amongst the states of eastern India is Assam, Bengal, Bihar etc. Indian drama has an unbroken history of over two thousand years. Round about contemporaneous with Aristotle`s poetics, antique India created a genre of its own by the dint of an encyclopaedic manual on theatre called Natyashastra ascribed to Bharata, which became the basis Indian performances genres for centuries to come. This means that there already a rich tradition of performance practice long before such a work appeared. The aesthetic theory of rasa briefly but cogently expounded in NS influenced Indian aesthetic theory and practice for more than a millennium. The first millennium was also pigeonholed by the great harvest of Sanskrit drama by pre-eminent play-wrights like Bhasa, Kalidasa, Shudraka, Vishakadatta, Bhavabhuti and Harsha.

Traditional Theatre of Assam
Bhaona is a staging of the Ankia Nat of the state of Assam. In Bhaona cultural glimpses of Assam, Bengal, Orissa, Mathura and Vrindavan are reflected. The Sutradhar, or narrator begins the story, first in Sanskrit and then in either Brajaboli or Assamese. Jatra is a famous folk theatre from Bengali theatre that is spread throughout most of Bengali speaking states of India including West Bengal, Bihar, Assam, Orissa and Tripura. Lots of people, actors and actresses are involved in this form of art in West Bengal and other parts of India. Jatra is considered as a famous form of traditional folk theatre from the eastern region of India. It literally means a journey and hence, stylized delivery and exaggerated gestures and orations are some of features of Jatra.

Jatra is believed to have originated from ceremonial functions that are called before starting on a journey. There are also the other legends saying, that it developed from processions brought out in respect of different gods and goddesses. These processions often included songs and dances as its primary part. Jatra is a form of Indian folk drama combining acting, songs and music and dance altogether by the troop that is travelling from one place to another. In the earlier years, the religious values were well communicated with the help of Jatra to the masses. Jatra performances in West Bengal resemble the Tamasha of Maharashtra, the Nautanki of Uttar Pradesh and Bhavai Dance of Gujarat. Even if the birthplace of Jatra lies in religious landscapes, filled with different Bhakti cults of Hinduism, but it is replaced by morally educative contents by the end of 19th century. As a result, during Bengal Renaissance, it gained entry into the urban theatres. Various parts of Hindu epics like Mahabharata and Ramayana was also preformed. Later on, the Jatras were held beside palas, and sometimes even replacing it.

Traditional Theatre of West Bengal
Fairs in honour of gods, or religious rituals and ceremonies within their framework of musical plays are known as Jatra. This form was born and nurtured in Bengal. Krishna Jatra became popular due to Chaitanya`s influence. Later, however, worldly love stories too, established a place in Jatra. Earlier Jatra was primarily musical. Dialogues were added at a much later stage. The actors themselves described the change of scene, the place of action, etc. Jatra is believed to have originated from ceremonial functions that are called before starting on a journey. There are also the other legends saying, that it developed from processions brought out in respect of different Gods and Goddesses. These processions often included songs and dances as its primary part. Jatra is a form of Indian folk drama combining acting, songs and music and dance altogether by the troop that is travelling from one place to another. In the earlier years, the religious values were well communicated with the help of Jatra to the masses. Jatra performances in West Bengal resemble the Tamasha of Maharashtra, the Nautanki of Uttar Pradesh and Bhavai Dance of Gujarat. Even if the birthplace of Jatra lies in religious landscapes, filled with different Bhakti cults of Hinduism, but it is replaced by morally educative contents by the end of 19th century. As a result, during Bengal Renaissance, it gained entry into the urban theatres.