The various stray verses of Pipa are available in various manuscripts of different traditions. The earliest one so far available is dated 1625 in which 17 of his padas were written. The padas sing of Nirgun Lord Rama bhakti, exaltation of God, deep devotion to find Him within oneself with glimpses of yog sadhana, and futility of external practices like pilgrimage. In two padas, he has highly praised Namdev, Kabir and Raidas for their Bhakti. The language is Rajasthani mixed with Braj, with a slight tinge of Khadi Boli in a few padas. Kazi Mahmud is one of the early saint poets whose padas are still popular in Rajasthan. The padas, about 45 in number, are scattered in different manuscripts. In the earliest available manuscript dated 1625, 16 of his padas are found. In 1525, Sahaj Sundar, a Jain poet composed a 'dhal' based on the tune of one of Kazi Mahmud's padas, the refrain of which runs as, Bhula bhamarla kain bhamai. It is evident that his padas were very popular during the early 16th century. They are on vairagya, transience of life and worldly objects, love and virah of God and mystic experiences. Natural, sensitive, and lucid expression depicting depth of emotion and universal truth is the hallmark of his poems. The language is easy Rajasthani with a slight tinge of Khadi Boli. Lord Krishna. The garabi is in praise of Devi. Of his metres, the kundaliyas are popular. His language is Rajasthani mixed with Khadi Boli, with a slight tinge of Braj. Gawari Bai is said to have to have composed over 600 padas in easy Rajasthani mixed with Braj and Gujarati. They are on exaltation of God, gyan, bhakti and vairagya. Many padas are popular for their simplicity and absorption. Thus, the poems composed by the secular poets have a simple approach and are free from heavy religious intonations. |