Home > Entertainment > Indian Drama & Theatre > Viswanatha Satyanarayana
Viswanatha Satyanarayana
Viswanatha Satyanarayana was a Telugu literary personality. Believer of neo-classicism, he began his career as a romantic poet.

Share this Article:

Viswanatha Satyanarayana was a Telugu literate. Born in 1895, he was a neo-classicist. He started his career as a romantic poet of unbridled imaginative capability. He soon turned to his magnum opus, the epic Ramayana Kalpavriksham, and also wrote two classic novels. His greatest contribution to Telugu theatre lies in his presentation of the tragic vision.

Early Life of Viswanatha Satyanarayana
Satyanarayana was born to Parvati Devi and Shobhanadri, an affluent Velanadu Vaidiki Brahmin family. He had two younger brothers and one elder sister. His father, who was a devotee of Lord Shiva, was a philanthropist.

After his schooling in the village, Satyanarayana had his early education at the National College, Machilipatnam. He obtained the masters degree in Sanskrit Literature from the University of Madras in 1929. During his stay at Machilipatam, he came under the influence of Chellapilla Venkata Sastry, Pingali Lakshmikantam, Kota Venkata Chelam and Katuri Venkateswara Rao. He began writing at the age of 14.

Career of Viswanatha Satyanarayana
Out of his fourteen plays, Nartanasala i.e. "Dancing Hall" is the best. This was a tragedy based on Shakespearean lines. It encompasses the story of Kichaka, who was a king of rare qualities but his desires were the reason for his fall. Anarkali during 1924-5 is a lyrical tragedy. The mythological Venaraju during 1933-4 deals with Vena`s ant traditionalist attitudes of which he became a victim. Trisulam or "Trident" in 1937 powerfully dramatizes the history of Bij jala`s conflict with Basaveswara, wherein the relative importance of religion and political authority is discussed. Satyanarayana also wrote two short tragedies, Kavya Harishchandramu i.e. `Epic Harishchandra` and Veda Harishchandramu i.e. `Vedic Harishchandra`. Some of his social dramas include Talliknipilla i.e. "Motherless Child" in 1935, Antha natakame i.e. "All Is Drama" in 1951, etc. Some more can be mentioned as Pravahamu i.e. "Current" in 1957, Lopala-bayata i.e. `Inside, Outside` in 1963, Satyagrahamu i.e. `Truthful Anger` in 1964. All of them are treating relationships between men and women satirically.

Following lists some of his works, not exhaustively -
Anarkali, Andhraprasasti, Aaru nadulu, Amrita Sharmisthan, Baddanna Senani, Bhagawantuni Meeda Paga, Chandra guptuni swapnam, Cheliyali Katta, Bhramara vaasini, Bhrashta Yogi, Chitlee Chitlani Gaajulu, Dantapu Duvvena, Doota Meghamu, Ekaveera, Girikumarini Prema Geetalu, Haa Haa Hoo Hoo, Dhanya kailaasam (a drama), Dhooma Rekha, Dindu Kinda Poka Chekka, Kadimi Chettu, Kasmira rajatarangini, Ma Babu, Mihirakuludu, Naastika Dhoomama, Kinnerasani Patalu, Lalita Pattapu Rani, Nando Raja Bhavishyati, Sasidutam, Saudamini, Sri Krishna Sangeetamu, , Nartanasala, Purana vaira grandha mala, Srimad Ramayana Kalpa Vrukshamu, Trisulam, Varalakshmi Trisati, Sringara Veedhi, Swarganiki Nicchenalu, Vishnu Sarma Englishu Chaduvu, Visweswara Satakam, Veyipadagalu.

Viswanatha Satyanarayana died in 1976.

He was awarded the Jnanpith Award and Padma Bhushan in 1970


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.