Home > Entertainment > Indian Drama & Theatre > Indian Theatre Companies
Indian Theatre Companies
Indian theatre companies slowly became the representatives of the people whilst illustrating their daily life and their voices.

Share this Article:

Indian Theatre CompaniesOnce began as an art form, theatre in India gradually stood apart as an emblematic form of artistic expression. With its history deeply seated with folk drama forms like Kabigan, Kirtan dance and Baul songs, Chhau, Gajan, Jatra and Paalaagaan.

Indian theatre slowly became a rich artistic illustration. Indian theatre companies and groups started exemplifying the tears - fears - pain and agony of the common people whilst bringing forth a realistic approach in Indian theatre.

The major Indian theatre companies then aided in carrying Indian drama to the next level of maturity whilst illustrating the modish aspects of Indian Natya Dharmi in the most vibrant way. Gone are the days of Ramlila, the elucidation of the epic plays was also missing. History of Indian theatre has always been rather realistic, dealing with the social, economical and above all the daily life of the Indians. Indian theatre companies were then not interested in staging the translated plays. Even the essence of colonialism somewhat faded away. Their main aim was then to portray a whole new India in a lot different way.

India was then struggling for independence and Indian drama was chosen as one of the best medium to illustrate the pain. Indian theatre companies then mainly focused on manifesting the trauma of the oppressed souls whilst portraying the agonies of the then India. Organising regular shows and even carrying the concept of drama as a media to the Indian intelligentsia was ideally being done by the Indian theatre companies. The only focus was then India`s independence and theatre was indeed treated as the most accessible media to reach the mass whilst illustrating the gruesome effects of British cruelty. The need for establishing professional theatre companies to illustrate the concept thus gave rise to professional theatre conductors like Girish Ghosh, Dwijendra Lal Roy, Sisir Bhaduri, Ardhendu Mushtafi and others.

The post independence theatre form in India became lot more realistic whilst befitting the socio political and economic scenario of Independent India. Indian theatre companies then became the representatives of the common people whilst illustrating their daily life, their voices in the form of Indian theatre. Major theatre groups were formed. One such theatre group was the "Ninasam". It was the year 1945 when Subbanna, one of the acclaimed Kannada dramatist and writer along with his friend laid the seed of Ninasam as the organization to carry Indian theatre to the next level of mature ness. That was just the beginning of a new history and within no time Ninasam stood apart as one of the Major Indian theatre companies and groups to not only stage modern theatres but also to encourage the classical film culture. Nestled at the village of Heggodu in Sagar Taluk of the Shivamogga district in the Indian state of Karnataka, Ninasam till date happens to be one of the major groups and companies dedicated to the development and growth of Indian Natya.

The year 1945 was indeed important in the timeline of Indian theatre. Indians people theatre association or the IPTA was established for the greater objective of building social consciousness and at the same time to support the national integration amidst the artistry of Indian theatre. IPTA as an "apex body" aided in changing the age old concepts of Indian theatre. The aim was to revive the rich cultural heritage of India and slowly IPTA stood apart as the leading theatre association of India. IPTA is still reckoned as one of the major Indian theatre companies and is also one of the oldest associations of performing art in India.

The Indian theatre companies echoed the sounds of modern theatre in India whilst scaffolding the best plays all across India. Indian theatre, which first made its presence felt as a typical form of entertainment, thus gradually became a distinctive form of expression whilst portraying the novel concept of Indian natya.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.