Arvind Gaur
Arvind Gaur is an eminent theatre director who usually focuses on contemporary and thought-provoking works

Share this Article:

Arvind Gaur, Indian DramatistArvind Gaur, the Indian theatre director, is known for his work in original, socially and politically significant theatre. Arvind Gaur`s plays are contemporary and thought provoking. The message of his plays often links to intimate personal spheres of existence to larger social political issues. The works of Arvind Gaur relates to communalism, Crime of State, injustice, social discrimination, caste issues, Politics of power, feudalism, and domestic violence, violence, marginalisation and racism. He is the leader of Delhi`s one of the most popular theatre group and is also an actor, trainer, social activist, and storyteller.

Early Life of Arvind Gaur
Arvind Gaur was born on 2nd February, 1963 in Delhi to Shri Shiv Nandan who is a retired Maths teacher and mother Mrs. Saraswati Devi. Arvind Gaur`s wife Dr. Sangeeta Gaur is a talented vocalist, composer and music director and they together have twin daughters Kakoli and Saveree.

Career in Theatre for Arvind Gaur
Arvind Gaur was the recipient of a research fellowship awarded by the Ministry of Human Resource Development (India). He is the guest faculty of Delhi University for Theatre in education program for three years. He has conducted many theatre workshops and also he himself performed in various colleges, institutions, universities and schools in India and abroad. Arvind Gaur has organized theatre workshops for children in schools and slums as well as street theatre performances, where the plot was based on different socio-political issues. He has directed more than 60 stage plays for more than two decades.

Arvind Gaur has directed Girish Karnad`s Tughlaq Translations by B. V. Karanth, Surekha Sikri and K.K. Nayyar, Bhisham Sahni`s Hanoosh, Dharamvir Bharati `s Andha Yug, Swadesh Deepak`s Court Martial and many more performing slots. With passing years, Arvind Gaur became a name whose works were categorized as something different from other thaetre works. He followed with Govind Deshpande`s Antim Divas, Albert Camus`s Caligula (play), Girish Karnad `s Rakt Kalyan (Taledanda), Bertolt Brecht`s Caucasian chalk Circle, Mahesh Dattani`s Final Solutions, Eugene O`Neill`s Desire under the Elms translated by Nadira Babbar. Arvind Gaur also assisted Shri Habib Tanvir during the Prithvi Theatre Festival, Mumbai.

Arvind Gaur`s Naya Theatre performed seven Productions in this Festival, from a revival of Habib Tanvir`s first major production, "Agra Bazaar" that dates back to 1954, to the new "Zahreeli Hawa" based on the Bhopal gas tragedy.

Arvind Gaur also did some solo play direction like Story of the Tiger, solo with Jaimini Kumar Srivastava, Women in Black, Untitled, solo with Lushin Dubey, Bhisham Sahni `s Madhavi solo play with Rashi Bunny and many others. Arvind Gaur designs lights for NAYA Theatre`s major productions under the Direction of Padma Shri Habib Tanvir. The plays of Arvind Gaur are powerful artistic statements.

Some celebrated works by Arvind Gaur are as follows -

Dario Fo`s Operation Three Star Mahesh Dattani`s Tara Dr. Harish Naval`s Peeli Chht par Kaala Nissan
Dr.Narenda Mohan `s Kalandar and Mr.Jinna Samuel Beckett`s Waiting For Godot Bhisham Sahni `s Kabira (Kabir) kheda Bazar Mai
John Octanasek`s Romeo Juliet and the darkness Munshi Premchand`s Mote ram ka Satyagrah Bharatendu Harishchandra`s Andher Nagri
Neil Simon`s The Good Doctor Bertolt Brecht`s The Good Person of Szechwan (Ramkali-Good woman of Delhi) Doodnath Singh`s Yama Gatha
Sharad Joshi`s Andhon ka Hathi and Ek tha Gadha urf aladat Khan Nag Bodas`s Amma Tujhe salaam Uday Prakash`s Warren Hastings ka Saand
Ashok Lal`s Ek Mamooli Aadmi Rajesh Kumar`s Me Gandhi Bolto Mahesh Dattani`s 30 Days in September
Vijay Tendulkar"s Ghashiram Kotwal Vijay Mishra"s Tatt Niranjana Harsh Mander`s Unsuni


Awards received by Arvind Gaur
Artistes 4 Change Karmaveer Puraskaar Noble Laureates,2008 Radha Krishna Award for his contribution to Delhi"s art & culture,2007 Special Jury award for best play in experimentation with tradition the at International Swar-Dhrohar award ,2007
Solo Theatre Festival, Armenia,2004 Solo Play Madhavi by Rashi Bunny,2005 Colour of Nation Award at International Theatre Festival Udhbhav Shikhar Samman (In memory of Aacharya Vijyendra Sanathak),2008



Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.