Home > Entertainment > Indian Drama & Theatre > Ahindra Choudhury
Ahindra Choudhury
Ahindra Choudhury was a Bengali actor, director, and also an educationist.

Share this Article:

Ahindra Choudhury was born on 6th August, the year of 1896. He was a popular actor and director of Bengali theatre. Ahindra Choudhury left school in Kolkata, mesmerized by a production of Dwijendra Lal Roy`s Shah Jahan. That was a role that became his first, for an amateur group. He is said to have later appeared as Shah Jahan nearly 2000 times. His professional debut was for the Art Theatre at the Star, in Aparesh Chandra Mukhopadhyay`s Kamarjun i.e. "Kama and Arjun" in 1923. This made this theatre history by running for 260 nights.

Later he associated with virtually all the major playhouses in Kolkata. The names are Manomohan, Minerva where he joined as manager in 1930, Rungmahal, Natyaniketan, and Natyabharati. Mahendra Guptas Kankabatir ghat i.e. "Kankabati`s Ghat" in 1941 saw one of his best acting accomplishments. His inborn histrionic talent lay in characterizing different types by immaculately improvising their identifying traits. Besides Shah Jahan, the innumerable roles synonymous with his name include Selecus in Roy`s Chandragupta, Aurangzeb in Bankim Chandra Chatterjee`s Rajsinha dramatized by Amritalal Basu, Kama in Kamarjun, Chandrababu in Tagore`s Chirakumar sabha i.e. `Celibates` Club`, Adhikari in Chatterjee`s Kapalkundala dramatized by Girish Ghosh, etc. Jatin in Tagore`s Grihaprabesh i.e. `House warming`, and Paresh-babu in Tagore`s Gora dramatized by Naresh Mitra were also some of the great performances of Ahindra Choudhury.

He was a pioneer in make-up; he also acted in films notably as the father in Doctor in 1941 and became a pathfinder in formulating and introducing theatre curricula in Indian higher education, serving as Dean of the Theatre and Fine Arts Faculty, Rabindra Bharati University, Kolkata. His two-volume autobiography named Nijere haraye khunji i.e. `Searching for My Lost Self` in 1962-71, regales with anecdotes and documentation of life behind the curtains of Bengali theatre.

This fabled artist died in the year of 1974.

This article is a stub. You can enrich by adding more information to it. Send your Write Up to [email protected]


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.