The Indian Film fraternity is awarded by various Production and Television Channels in appreciation of their laborious efforts and entertaining the nation with the largest number of films produced in the world each year. The Indian film Industry is appreciated not only in India but also in the western countries. There is no dearth of film awards in India. Infact first there were only the Filmfare Awards, which were considered to be the highest level of film awards.The Government of India instituted awards like Dadasaheb Phalke Award to promote films in india.

After some years, there were also the beginnig of the Screen Awards, The Zee Cine Awards and many more of them. This surely shows the level of appreciation of the film industry by the population. There are a few categories of awards that need to be appreciated, which unfortunately are not done in some of the awards. Example the filmfare awardees are only the ones that have their contribution in the Hindi films, thus the contribution of the people in the other regional fims are neglected. This explains the need for the more new awards in the coming generations.

The IIFA Awards is one such example, where the Indian film industry is awarded on the intrnational front. Though the presence of the Oscar awards has always been prominent, the most striking feature of this award is the excellence contributed by the luminaries of only the Hindi film industry.

Indians films still have a long way to got to Oscar Awards. Even though India has been a leading player in international cinema, making almost the maximum number of movies annually, Bollywood`s track record in the Oscar Awards ballgame has been disappointing, even downright dismal. There have been the stray achievements in this direction, but reaching a balance between the commercial and award-oriented cinema seems a far cry yet. "Shwas" becomes the fourth Indian entry to the coveted annual academy awards and the first film in the Marathi language from Maharashtra being sent for the Oscar. This was a poignant theme that has made an impression enough be nominated for the top shot.

Salaam Bombay, the more recent Lagaan and the classic Mother India, though they haven`t come home with the golden statuette, were others that did get close. Mira Nair`s Salaam Bombay was unique in that it picturised real slum people without the star-cast, avoiding commercial appeal altogether. Yet it too didn`t quite make it to the end. Analysts and critics talk of a balance - the award or commercial adulation. Deciding the direction, and then working to it honestly is a key, they say, that Indian makers have not quite been able to achieve. Mother India, among the first cinematic depictions of brave Indian womanhood going back to the 1950s. The film made it into the top five foreign film nominees too, like `Lagaan` to come later . Yet it fell short.

Though films from India are heaped with praise, analysts say perhaps Indian producers have not been able to give what it takes in the final stages, the convincing of the jury, the build-up to the finale. Perhaps the highest hopes were pinned here. Lagaan was a blockbuster on the commercial front, and won critical acclaim too. And the star - Aamir Khan had stationed himself in Los Angeles weeks before the big day to canvass in a way no Indian film-maker had done before.India is the only country where an individual has won an honorary oscar for outstanding contribution - Satyajit Ray.Yet the film-award remains elusive yet.