|
Salil Choudhury was popular for his indigenous style of music. He combined the strains of Western classical with Indian folk and classical music to give Hindi cinema some of its most popular melodies. Amazingly though Salil Choudhury did not receive formal training in music. Instead he grew up listening to Bach, Mozart, and Chopin, as well as eastern Indian folk music. As a young man, he was drawn by the communist ideology and he joined the leftist Indian Peoples` Theatre Association (IPTA). It was here that he began composing music for plays.

Salil Choudhury made his foray into Indian film music with Satyen Bose`s Bengali feature Paribartan. He co-wrote the lyrics for Bose`s next film too. His first Hindi assignment came with Bimal Roy`s Do Bigha Zameen, for which he also wrote the story. His extensive use of chorus in the song `Hariyala Sawan Dhol Bajaata Aaya` and `Bhai Re, Ganga Aur Jamuna Ki Dharti` were reminiscent of his earlier work for IPTA.
Salil Choudhury`s music for subsequent film such as Biraj Bahu, Naukri, and Jagte Raho went became extremely popular. His biggest success, however, once again came with Bimal Roy`s Madhumati. The film`s songs, from the romantic `Dil Tadap Tadap Ke` to the cheerful `Jungle Mein Mor Naacha` to the haunting `Aaja Re Pardesi`, prove the composer`s versatility. The film`s music, regarded as one of Hindi cinema`s classics, won Salil Choudhury the Filmfare Award for Best Music Director in 1958.
One of the characteristic features of Salil Choudhury`s music was his adaptation of the Western classical music. For instance, the Talat Mahmood hit `Itna Na Mujhse Tu Pyar Kar` (Chhaya) is said to be based on a well-known Mozart composition. Later, in the 1970s, he adapted the jazz structure to come up with such touching numbers as `Zindagi Kaisi Hain Paheli` (Anand) and Na Jaane Kyon (Chhoti Si Baat).
Due to Salil Choudhury`s expertise in orchestration and mood music, directors often called upon him to compose the background score for films without songs, such as Ittefaq. Choudhury is also the only major Hindi film composer to have worked in several languages, including Assamese, Tamil, Telugu, and most importantly, Malayalam, with Chemmeen being a remarkable success. He also directed Pinjre Ka Panchi in 1966.
The films for which Salil Choudhury composed music are as follows:
| Do Bigha Zameen, 1953 |
Madhumati, 1958 |
Jhoola, 1962 |
Mere Bhaiya, 1972 |
Room No 203, 1980 |
| Biraj Bahu, 1954 |
Sunehri Raatein, 1960 |
Prem Patra, 1962 |
Subse Bada Sukh , 1972 |
Nani Maa, 1980 |
| Naukri, 1954 |
Jawahar, 1960 |
Chand Aur Suraj, 1965 |
Rajanigandha, 1974 |
Plot No 5, 1981 |
| Amanat, 1955 |
Kanoon, 1960 |
Netaji Subhashchandra Bose, 1966 |
Chhoti Si Baat, 1975 |
Agni Pareeksha, 1981 |
| Tangewali, 1955 |
Parakh, 1960 |
Jawab Ayega, 1968 |
Saagar, 1975 |
Dil Ka Saathi Dil, 1982 |
| Awaaz, 1956 |
Usne Kaha Tha, 1960 |
Ittefaq, 1969 |
Jeevan Jyoti, 1976 |
Kanoon Kya Karega, 1984 |
| Pariwar, 1956 |
Char Deeware, 1961 |
Sara Akash, 1969 |
Mrigaya, 1976 |
Trishagni, 1988 |
| Jagte Raho, 1956 |
Chhaya, 1961 |
Anand, 1970 |
VOTl, 1976 |
Swarna Trishna, 1989 |
| Aparadhi Kaun, 1957 |
Kabuliwala, 1961 |
Gehra Raaz, 1971 |
Minoo, 1976 |
Kamala Ki Maut, 1989 |
| Ek Gaon Ki Kahani, 1957 |
Maya, 1961 |
Mere Apne, 1971 |
Naukri, 1978 |
Triyatri, 1990 |
| Lai Batti, 1957 |
Memdidi, 1961 |
Annadata, 1972 |
Kala Patthar, 1979 |
Netraheen Sakshi, 1991 |
| Musafir, 1957 |
Sapan Suhana, 1961 |
Anokha Daan, 1972 |
Jeena Yahan, 1979 |
|
| Zamana, 1957 |
Half Ticket, 1962 |
Anokha Milan, 1972 |
Chehre Pe Chehra, 1980 |
|
|