Home > Entertainment > Indian Drama & Theatre > National Centre for the Performing Arts
National Centre for the Performing Arts
National Centre for the Performing Arts is a cultural complex in Mumbai founded by J. R. D. Tata.

Share this Article:

National Centre for the Performing Arts, Jamshed Bhabha Opera TheatreNational Centre for the Performing Arts or NCPA is a cultural complex in Mumbai founded in June 1966 by the eminent industrialist J. R. D. Tata. This was founded with the objective of establishing a national centre for classical, traditional, and contemporary arts and sciences of performance and communication. In December 1969, it moved into its own premises on Bhulabhai Desai Road where its small theatre hosted a number of music and dance concerts. In May 1975, it relocated to its permanent building in South Mumbai which has five auditoria. The building had the 1000-seat Tata Theatre, the 350-seat non-proscenium Experimental Theatre, the intimate 100-seat Little Theatre, the 175 seat Godrej Theatre, and the latest, 1100-seat, Jamshed Bhabha Opera Theatre. The NCPA`s Theatre Development Centre did some significant work largely on a Ford Foundation grant from 1986. Apart from collaborations with other groups and workshop presentations, its in-house productions featured Sameer Kulkarni`s Kala vajir pandhra raja or `Black Bishop, White King` in 1992 and Tempt Me Not in 1993. This was an adaptation by Rajendra Mehra and Ramesh Rajhans of Vasant Sabnis`s well-known Tamasha Vichha majhi puri kara or `Fulfil My Wish`. Both were directed by Waman Kendre. Goethe`s Faust in 1994 was directed by Vijaya Mehta and Fritz Bennewitz.

The NCPA encourages research scholars, maintaining a library and archives to fulfill its goal of preservation and propagation of the arts. Its publications included the NCPA Quarterly Journal of the Arts during 1972-88 and the Theatre Development Centre`s bimonthly Facts and News and annual Ranga-Antaranga. This stopped after the Ford Foundation grant ended. Theatre workshops and seminars constitute ongoing events. In order to decentralize its functioning, it also conducted workshops in small towns and rural areas in Maharashtra. Narayana Menon, Kumud Mehta, P L. Deshpande, Ashok Ranade, and the current director Vijaya Mehta have been largely responsible for the NCPA`s development.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.