Home > Entertainment > Indian Drama & Theatre > M. Krishnamurthy Thyagaraja Bhagavathar
M. Krishnamurthy Thyagaraja Bhagavathar
M. Krishnamurthy Thyagaraja Bhagavathar was a Tamil theatre artist and also a Carnatic singer. He was popularly known as MKT.

Share this Article:

M. Krishnamurthy Thyagaraja Bhagavathar, Tamil Theatre PersonalityM. K. Thyagaraja Bhagavathar, popularly known as MKT was born in the month of January in 1910. He was a legendary singing star who reigned supreme in Tamil theatre and cinema after S. G. Kittappa. M. K. Thyagaraja Bhagavathar was born in Tiruchchirapalli. Mayavaram Krishnamurthy Thyagaraja Bhagavathar was an ordinary goldsmith`s son; he had no formal education and no training in music either. However, he was obsessed with theatre, which in his time was mostly musical. Early in his boyhood, he entered local bhajan groups and started singing in temples. At the age of 18, he joined a theatre troupe and was paired with S. D. Subbalakshmi, who was already an established actress. But M. K. Thyagaraja Bhagavathar had a great presence himself, sporting long hair and earrings. The couple became an instant hit and the company toured all over Tamil Nadu, Ceylon, Singapore, and Malaya. The pair started with their most successful play Pavalakkodi. This was an episode in the Mahabharata wholly of local origin. M. K. Thyagaraja Bhagavathar was acting the role of Arjuna at that play.

Career in Theatre for M. K. Thyagaraja Bhagavathar
M. K. Thyagaraja Bhagavathar`s best movies were historical. Some of them can be mentioned as Ambikapati in 1937, in which he played the eponymous hero and sang Bajanai seivai maname i.e. "Sing a bhajan, O mind", and Ashok Kumar in 1941, where he M. K. Thyagaraja Bhagavathar acted the emperor`s son. Sivakavi in 1943 had twenty-nine songs, among which he sang nineteen. His invocation of the goddess, "Amba manam kanindu unadu kadaikkan par i.e. "Amba, may your mind relent and your benign eyes fall on me", was later inscribed on a suburban temple in Chennai. Haridas in 1944 ran continuously in Chennai for a record of three years. Thyagaraja`s melodious singing made his productions and films the rage. The songs by M. K. Thyagaraja Bhagavathar were on everyone`s lips, including young or old, trained or untrained in music, urban or rural, educated or uneducated. Cinema in those days rendered a great service in propagating classical Carnatic music to a degree that it could be well termed the pop music of its time, if one went by the measure of its popularity among the masses. M. K. Thyagaraja Bhagavathar stood out by his signal contribution.

At the peak of M. K. Thyagaraja Bhagavathar`s career, he was charged with involvement in a conspiracy to abet the murder of a yellow journalist, Lakshmikantan who was the editor of lndu nesan. Eventually Thyagaraja Bhagavathar was arrested with co-actor N. S. Krishnan, and jailed from 1945 to 1947. It is believed that his absence from the film industry provided a window for Dravidian atheist movement to move in and establish themselves in the Tamil film industry. On his release, M. K. Thyagaraja Bhagavathar started his own film production company and contracted the best of talents but to no avail. All these films flopped miserably. Times had changed. There was no audience any more for his kind of music or his type of movies with themes of bhakti, sin, and repentance.

M. K. Thyagaraja Bhagavathar died on 1 November 1959 due to cirrhosis. MKT is widely regarded as the first superstar of Tamil cinema as well. MKT`s Golden voice remains unparalleled in Tamil Cinema and his songs are still popular among music Connoisseur.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.