Home > Entertainment > Indian Drama & Theatre > Jogesh Dutta
Jogesh Dutta
Jogesh Dutta was the first in independent India to raise mime to the position of a respectable performing art.

Share this Article:

Jogesh Dutta, Bengali Theatre PersonalityJogesh Dutta was born in 1942 in Madaripur, East Bengal. Jogesh and his elder brother Suresh Dutta had not much formal schooling to speak of, having come to West Bengal as refugees from East Pakistan when quite young. Inspired by Uday Shankar and Rabindranath Tagore`s dance-dramas, Jogesh began as a stage actor with Sundaram, a Calcutta group. But by 1958, Jogesh Dutta realized that he really wanted to do mime. Chaplin`s films made him aware of the possibilities of mime, his devotion to the form reinforced by Marcel Marceau`s visit to Kolkata in West Bengal in1960, though he could not see the performance, as he could not afford to buy a ticket.

Jogesh Dutta first attracted popular notice at the National Youth Festival in Calcutta that year, and there was no looking back. A delegate to the World Youth Festival in Sofia, Bulgaria in 1968, he undertook frequent and extensive foreign assignments, covering nearly all countries of Europe, North America, and Asia, some of them more than once. Founding his own mime troupe, Padabali, in 1971, he started a school for mime, Jogesh Mime Academy, in 1975. He was also a distinguished teacher of mime at the Department of Drama, Rabindra Bharati University, Kolkata. His creations, now forming a repertoire of over a hundred sketches, are mostly short and hugely funny imitations of scenes from everyday life with a sympathetic undertone for the oppressed and underprivileged.

Most of the titles speak for themselves. Some of the names can be mentioned as The Haircutting Saloon, Walking, The Bus Passenger, When I Was i.e. A Beggar`s Dream, A Naughty Boy, A Thief, A Society Lady, The Operation Theatre, Unemployed Youth, The Old Servant, The Exploited Labourer, Mosquitoes, The New TV Set in the Middle-class Home, Scenes in a Government Office. A few deals with Puranic texts and themes, like Sita and Hanuman, while some, like Long Live the Vietnamese, tackle political and humanistic issues. The Indian Films Division documentary, The Silent Art of Jogesh Dittta in 1983, was shown in fourteen languages.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.