Home > Entertainment > Indian Drama & Theatre > Devulapalli Venkata Krishna Sastry
Devulapalli Venkata Krishna Sastry
Devulapalli Venkata Krishna Sastry was one of the most important Telugu Romantic poets.

Share this Article:

Devulapalli Venkata Krishna Sastry was mainly responsible for the success of the lyrical play in Telugu theatre, especially on All India Radio. He was born in Pithapuram, East Godavari district, in a family of traditional pandits employed by the local raja.

Devulapalli Venkata Krishna Sastry is known for imaginatively rendering dramatic incidents from mythology, notably Dhanuradasu in 1924, Sarmishtha, Andal kalyanam or `Andal`s Nuptials`, and Daksha yajnam i.e. `Daksha`s Sacrifice`. All of these were published in 1940 and were very popular as well. Atidhi sala i.e. `Guest House` in 1949 was based on Omar Khayyam`s life. It had repeated broadcasts. He was much sought after in Telugu cinema for his songs. Venkata Krishna Sastry also scripted B. N. Reddi`s mega-budget historical film on Krishnadeva Raya, Malleshwari in 1951. The play Rajaghattam i.e. `Raja`s Abode` in 1953 sorrowfully depicts Mahatma Gandhi`s murder, in musical form. Two dramas on city life namely Edadipoduguna i.e. `All Year Long` in 1954 and Chaurasta i.e. `Crossroads` in 1957 showed incisive study of his surroundings. `Narayana, Narayana, Allah, Allah` was one of his most memorable lyrics. His strength lay in delicate expression of human emotions in musically-chosen words. Devulapalli Venkata Krishna Sastry died in 1980.

This article is a stub. You can enrich by adding more information to it. Send your Write Up to content@indianetzone.com


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History Of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.