Sargam, facets of Khayal, Indian Music
Introduced into khayal only during the 20th century, sargam is now an integral part of Khayal
|
|
 Sargam singing was introduced into khayal only during the 20th century. It is generally accepted that it was Abdul Karim Khan who had popularised the use of sargam, following his exposure to, and absorption of it from Karnatic music, where it is used enthrallingly while elaborating specific sections of the composition. Aman Ali Khan of Bhendi Bazaar gharana further refined its use in khayal and made it an indispensable part of the gharana's gayaki. Ustad Bade Ghulam Ali Kahn and Ustad Amir Khan used sargam and sargam-patterns with great effect during their renditions.
The notes of the raaga are here sung in many attractive ways and in different combinations. The primary notes of the raaga (its vadi and samvadi) are oft highlighted. At first, the singer renders the sargams plainly the raaga-scale, and then proceeds to invigorating and intricate configurations. Often, sargam tans, or fast tempo renderings of the notes, are also rendered at this phase. Singers use this section to showcase their adroitness over the notes in convincing ways.
Singers are, for the most part, at liberty to use sargam or avoid it altogether. Yet the drift now-a-days is to use it prudently or, at times, excessively. Bhendi Bazaar, Patiala, Rampur-Sahaswan and Mewati gharanas make abundant to sensible use of it during their recitals. Jaipur-Atrauli and Gwalior gharanas generally avoid singing sargam and instead sing it in aakaar approaches. However, individual variants do subsist within these traditions.
(Last Updated on : 01-04-2011)
|
|
|
|
|
|
|
Recently Updated Articles in Indian Music
|
|
|
• | Folk Music of Northern India Folk Music of Northern India showcases the diverse cultural heritage of India. A variety of songs have been composed in this genre of music that narrates numerous themes.
| | • | Types of Odissi Music Types of Odissi music cover a rather wide range of styles. There are six major types of Odissi music.
| | • | Rabindra Sangeet Originated by Rabindranath Tagore, Rabindra Sangeet still reverberates the distinct aura of Indian classical music. In the arena of Indian classical music, Rabindra Sangeet with its entire classical aura and distinct romanticism stands as one of the primary music of India.
| | • | Qawwali This is a traditional form of Islamic music usually found in India and Pakistan. Qawwali is a vibrant musical tradition of India, which dates back to more than 700 years and is still a surviving art of music today.
| | • | Folk Music of South India Folk Music of South India runs in the blood of every South Indian. The children are encouraged by their elders to learn folk music. Folk Music of South India has a number of forms and their variations can be found in other parts of India as well.
| | |
|
|
|
|