Home > Entertainment > Indian Drama & Theatre > N. N. Pillai
N. N. Pillai
N. N. Pillai was a highly acclaimed Malayalam dramatist, director, and actor.

Share this Article:

N. N. Pillai, Malayalam Theatre PersonalityN. N. Pillai was a renowned dramatist, actor as well as director of Malayalam Theatre. He did away with the divide between the professional and amateur in Malayalam theatre. Pillai was born in Vaikam, Kottayam district in 1918. As a boy N. N. Pillai displayed talent in acting. He did not complete college, but joined the Indian National Army as a soldier fighting the British in Malaya during World War II. N. N. Pillai worked as a journalist before forming the Viswakerala Kala Samiti in 1953 to propagate a different type of stage performance drawing heavily from fantasy and dream. This depends mostly on powerful, witty, ironic dialogue, and breaking moral boundaries.

N. N. Pillai`s puns created instantaneous laughter but his biting sarcasm hurt the feelings of many sections while amusing others. N. N. Pillai created a startling drama, Kapalika i.e. `Witch` in 1971. This play was about the life of a prostitute in Bombay. That he, his wife, and daughter acted in it discomfited audiences. His other important plays were Atmabali i.e. `Self-sacrifice` in 1965, Pretalokam i.e. `World of Ghosts` in 1965, Wine Glass in 1966, NOC i.e. `No Objection Certificate` in 1967, Manvantaram or `Ages` in 1967, etc. some others can be mentioned as Esvaran arrestil i.e. `Divinity under Arrest` in 1967, Marichika or `Mirage` in 1968, Nan svargattil i.e. `I`m in Heaven` in 1969, Climax in 1969, Godfather in 1972, Supreme Court in 1979, and To Be or Not to Be in 1979. Originally staged by Pillai`s professional troupe, they were widely revived by amateurs. N. N. Pillai performed excellently in varied roles such as a zamindar in Pretalokam, the heroine`s father in Kapalika, a prehistoric man in Sridevi, etc. N. N. Pillai died in 1995.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.