Muljibhai Khushalbhai Nayak was a Gujarati theatre actor. He was born in a community of Bhavai dance performers in Umata village, Mahsana district in 1893. Khushalbhai Nayak debuted on stage as a 6-year-old and underwent initial training with Amrit Keshav Nayak. Deeply rooted in both folk theatre and the professional stage, he appeared in various traditional Bhavai roles and won recognition as a Bhavai director. He also directed historical and social drama influenced by Urdu theatre. His memorable early characterizations were of Badar in Sati Toral in 1915 and Jankinath in Sati Manjari in 1921. His portrayal of Shivaji in Raja Sambhaji in 1925 was outstanding in terms of footwork, make-up, and an entrance on horseback.
Traditional roles included Shahji in Raja Shahji in 1937. He never imposed his own personality on the portrait, but always became involved in the character. He specialized in depicting heroic men with strong voices, his delivery of dialogue being much appreciated.
Muljibhai Khushalbhai Nayak died in 1971.
This article is a stub. You can enrich by adding more information to it. Send your Write Up to content@indianetzone.com
|
|
|
|
|
|
|
Recently Updated Articles in Indian Drama & Theatre
|
|
|
• | Kuvempu Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
| | • | Types of Abhinaya Types of abhinaya have been set down in Natyshastra. The four types of abhinaya are Angika abhinaya, Vanchika abhinaya, Aharya abhinaya and sattvika abhinaya.
| | • | Nataka In Sanskrit, the play is known as Nataka par excellence, which comprises all the elements of a dramatic composition. It is an ancient Indian theatrical tradition that is closely based on themes of mythology and Indian epics. This Sanskrit drama has played a major role in sharing the Indian literature and culture for centuries.
| | • | Tamasha Folk Dance Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
| | • | Ankiya Nat Ankhiya Nat is a religious theatre form created by Sankaradeva in order to spread the message of Vaishnavism
| | |
|
|
|
|