Home > Entertainment > Indian Drama & Theatre > Pushkar Bhan
Pushkar Bhan
Pushkar Bhan was a dramatist, director, and actor who played a significant role in establishing modern Kashmiri theatre.

Share this Article:

Pushkar Bhan, Indian Theatre PersonalityPushkar Bhan was born in Srinagar in the year of 1925. He was a famous dramatist, director and a scriptwriter who acted in many plays too. Right from his childhood, he exhibited interest in becoming a playwright and an actor. After receiving his Bachelor`s degree in 1947, the year of India`s independence from British rule, Pushkar Bhan became associated with the Cultural Forum of the National Cultural Front, and, in this capacity, acquired unprecedented acclaim under the leadership of Dinanath Nadim, the foremost luminary of new cultural awareness in Kashmir. Pushkar`s plays, Lalkar in Urdu and his `Ya Tan Ya Tadakh` received captive public attention. His acting roles in Nadim`s Bombur Yamburzol, also in Shahid Sherwani and Yeh Kashmir Hai, and many others, won high praise from audiences everywhere.

His early plays namely Dwadi Majnun i.e. `Milk-like Majnun`, Tan tadakh i.e. `Thunderstorm`, and Yuth lwakichar i.e. `This Childhood` became very famous as part of the Jammu and Kashmir Cultural Congress movement in 1950s. The three plays that he wrote in collaboration with Som Nath Sadhu namely Grand Rehearsal in 1967, Chapath or `Slap` in 1973, and Nev Nosh or `New Bride` in 1975 was performed a number of times and he played central parts in all three. His finest original contribution is the play Machami in 1970, which he produced successfully on stage and then broadcast as a serialized radio drama. Machami, or Hero Machami, is perhaps the most popular Kashmiri play, for its melodramatic fantasy and Bhan`s role as Machami. He also launched the first daily radio feature in Kashmiri, Zuni Dab, which won him the Padma Sri in 1974.

In addition to the Padamshree award, Pushkar Bhan won other notable awards, Sahitya Akademy Award in 1976, NEETA (I.C.C.E) in 1985. Jammu and Kashmir State`s Academy of Art and Literature honored Pushkar Bhan with awards for his plays Chapath, Nev Nosh and Bhavya Purvabhyas. In addition, he has had the distinction of winning the Sadiq Memorial Award for Best Actor and Best Playwright. Pushkar Bhan`s distinctive and undying fame rests on the lead roles he played in Myanzirath and Shayire-Azam Mahjoor. Pushkar Bhan had the distinction of working with famous Indian actors like Balraj Sahni and Parikshit Sahni. The film based on the life of the Kashmiri poet, Mahjoor, won the President of India`s Gold Medal for its excellence.

After his retirement from government jobs, and acting, Pushakar took up writing as a dedicated pursuit rather than a post retirement hobby. His writings have continuously appeared in various journals such as Inklab or `The Revolution`, Aieena or `The Mirror. Both of these were published in Mumbai, as well as Sheeraza and Kongposh, published in Jammu and Kashmir. Pushkar Bhan`s contributions to the genres of Satire and Humor in Kashmiri Prose Literature are immense. As a matter of fact he elevated the different genres to the standards of universal excellence. His work, Machama, which won a Literary Award from the Sahitya Akademy, has been the source of 73 plays broadcasted from the Akashvani Radio`s Srinagar Channel. In this highly popular Series, the main character role of Machama was played by Pushkar Bhan himself. Another important work, Sanya Bacha or `Our Children`, won an award by NEETA. This work makes a significant contribution to knowledge about how Radio Broadcast Programs can aid in the education, entertainment, and learning of children.

Pushkar Bhan gained immense popularity when the first Television Broadcasting Channel was established in Srinagar. He was very popular among viewers for his Laughter-Satire series, Doctor Zero. His play, Inklab, received high acclaim when it was televised by the Patna Channel. In present days Pushkar Bhan is living with his son in Patna. In his exile, he has already written more than 30 episodes of Rangan Hyendi Rang i.e. The Color of Many Colors, televised by the Srinagar Channel as a Serial Drama.

The great theatre personality, Pushkar Bhan died on October, 2008 at the age of 83 leaving behind a rich legacy of his eternal creations.


Share this Article:

Related Articles

More Articles in Indian Drama & Theatre


Gondhal Dance
Gondhal is a religious performing folk art of Maharashtra. It is performed on special days like when there is a newborn in a family or marriage.
Tamasha Folk Dance
Tamasha is a folk art, which includes the love songs, which are traditional lavanis and dance along with the music.
History of Indian Theatre
The history of Indian theater is therefore the saga of changing tradition and the account of changing ritualism.
Indian Dramatist
Indian dramatists maintained Indian drama as a distinct art form.
Sringara Rasa
Sringara Rasa is mentioned in Natyashastra as one of the important rasas. The Sthayi bhava in Sringara rasa is Rati or love.
History of Indian Drama
History of Indian Drama is rich with Vedas and Indian epics and has gradually changed with time and remains unaffected by any foreign influence.
Navarasas - Natyashastra
Nine rasas or navarasas, described in Natyashastra contours the structure of Indian drama.
History of Kannada Theatre
History of Kannada theatre brings forth the richness in the Kannada culture. Theatre of Karnataka has been greatly inspired from various other forms of regional theatre in India.
Powada - Marathi Ballad
Powada is a Marathi ballad describing heroic deeds of valour by great warriors and kings.
Jatra - Bengali Folk Drama
Jatra is a form of folk drama from West Bengal, which includes acting, songs, music and dance by travelling troops
Kuvempu
Kuvempu is a literary acronym of Kuppali Venkatappa Puttappa - a popular Kannada actor-playwright.
Natyashastra
Natyashastra by Bharata muni is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world.
History of Bengali Theatre
Blessed with its rich heritage the history of Bengali theatre is the saga of the journey of Bengali Theatre
Bhavai - Folk Theatre of Gujarat
Bhavai is a popular folk theatre form of Gujarat that belongs to the tradition of theatre of entertainment.
Theatre In Ancient India
Theatre in ancient India in a systematic manner was introduced by Bharat Muni who prefaced the term "roopaka".
Bidesiya - Folk Theatre Dance
Bidesiya is one of the most popular folk theatre dance forms of Bihar which is said to have originated in the 20th century.
Regional Theatre in India
Regional theatre in India, in different Indian languages and regions, developed as an important element of Indian culture and tradition.
Koodiyattam
Koodiyattam is the oldest existing classical theatre form of the world. It has been recognised by UNESCO as a Human Heritage Art.
Indian Theatre Festivals
Indian theatre festivals help to bridge the gap between the various regions of the country. It also helps to bridge the gap among people and participants!
Kariyila Folk Dance
Kariyila is one of the most appealing and popular folk drama forms of Himachal Pradesh, portraying social satire with the accompaniment of folk dance and music.
Bengali Theatre
Bengali theatre had developed as a prominent form of protest movement during the colonial period. But with time it has made a niche for itself.