Jaywant Dalvi, Indian Theatre Personality - Informative & researched article on Jaywant Dalvi, Indian Theatre Personality
  Indianetzone: Largest Free Encyclopedia of India with thousand of articles Indian Drama & Theatre


in  
Art & Culture | Entertainment | Health | Reference | Sports | Society | Travel
Forum  | RSS Feeds  | Free E-magazine
Indian Drama & Theatre : Indian Drama l Indian Theatre l Personalities In Indian Theater l Forms of Indian theatre l Indian Theatre Companies l Regional theatre in India l Indian Theatre Stages l Indian Theatre Schools l Indian Comedy and Humor l Indian Theatre Characters l Famous Plays in Indian theatre l History Of Indian Theatre l Mukhachhadanam l Abhinaya l Alkap l Bandi Pethir l Ankiya Nat l Bhaoriya l Kurattiyattam l Shadow Theatre l Shumang Lila l Swang
Home > Movies & Entertainment > Indian Drama & Theatre > Personalities In Indian Theater > Theatre Personalities of Maharashtra > Jaywant Dalvi
Jaywant Dalvi, Indian Theatre Personality
Jaywant Dalvi was an outstanding contemporaneous Marathi writer in Maharashtra.

Jaywant Dalvi was born in the year 1925. He was a Marathi dramatist. He started his literary career as a writer of short stories, but his fame and popularity rests on his novels and plays. His first original drama was Sabhya grihastha ho! i.e. `Dear Gentlemen!` in 1973. The best-known and most successful works comprise Sandhya chhaya i.e. `Evening Shadows` in 1973, Barrister in 1977, filmed by Vijaya Mehta as Rao Saheb in 1986, Suryasta i.e. `Sunset` in 1978, Mahasagar i.e. `Ocean` in 1979, Savitri in 1981, Purush or `Male` in 1982, and Natigoti i.e. `Relationships` in 1989. His last play, Sansargatha i.e. `Song of Life`, appeared the year he died.

Jaywant Dalvi`s male characters suffer from frustrations. When they are not tortured victims of neuroses, they are wise philosophers or rebels against the social order. Dalvi`s drama underlines his belief that at the root of all the problems that hound people lies man`s primeval sexual desire which gives rise to the confusions and pains of human relationships. So sex often obsesses his mentally imbalanced characters. One of the most significant plays in which he explore the link between `lunacy` and desire is Barrister. This was held by many critics to be a fine modern- Indian tragedy. The hero, an England-returned lawyer, gives up all that is good and beautiful in life that comes his way because, along with the old ancestral mansion in which he lives, he might have inherited the madness which forms part of his family history. While his story remorselessly moves toward insanity, the mystery of the mind remains unsolved, leaving one with a sense of unease and suggesting that Dalvi himself was a disturbed philosopher.

He was just as preoccupied by the difficulties of age. Sandhya chhaya, which deals with the loneliness of the old, became one of the most popular dramas in Marathi theatre. Also the Mahasagar reveals the complexities and unknown depths of the human mind. Suryasta and Punish were satirical and violent manifestations respectively of the politics of the 1980s. Unlike most of his other plays, based on his own short stories or novels, these were entirely original. Dalvi`s own politics was of the Seva Dal to which he had belonged. This was a voluntary service wing of the Socialist Party. Jayant Dalvi died in the year of 1994.

(Last Updated on : 28/01/2009)
  More on Theatre Personalities of Maharashtra...
 
Amal Allana Vishnupant Pagnis Vishnupant Aundhkar
Bal Gandharva Anandrao Mistry Painter and Baburao Mistry Painter Victoria Theatrical Company
Roshen Alkazi Dattatray Ramchandra Bhat Bira Bikram Dev
Chhota Gandharva Asif Currimbhoy Jaywant Dalvi
Purushottam Vyankatesh Darwhekar Keshavrao Tryambak Date Dattaram Narayan Walwaikar
Arvind Yeshwant Deshpande Govind Purushottam Deshpande Sulabha Deshpande
Pragji Jamnadas Dossa Dadu Raghu Sarode Indurikar Vasant Shankar Kanetkar
Mahesh Elkunchwar Ram Ganesh Gadkari Krishnaji Prabhakar Khadilkar
Jehangir Pestonji Khambata Chintaman Tryambak Khanolkar Annasaheb` Balwant Pandurang Kirloskar
Chintamanrao Ganesh Kolhatkar Shripad Krishna Kolhatkar Master` Krishnarao Ganesh Phulambrikar
Shreeram Lagoo Adi Pherozeshah Marzban Dinanath Mangeshkar
Ram Purushottamdas Marathe Pundalik Narayan Naik Prabhakar Vishnu Panshikar
Sai Paranjpye Dadabhai Sorabji Patel Jabbar Razak Patel
Chintamani Govind Pendse Nanasaheb Gopal Govind Phatak Neelu Phule
Dadi Dorab Pudumjee Motiram Gajanan Rangnekar Vishnu Vaman Shirwadkar
Govindrao Tembe Vijay Tendulkar Alyque Padamsee
Mohan Agashe Satish Alekar Pravin Joshi and Sarita Joshi
Rajarambhau Ramchandra Kadam Ashok Srivastava Uttara Baokar
Bhakti Barve-lnamdar Dina Pathak (Gandhi) Cowasji Palanji Khatao
Bhaskar Chandavarkar Bhargavram Vitthal Warerkar Satyabhamabai Pandharpurkar
Keshavrao Vitthalrao Bhonsle Ratnakar Matkari Alkazi
Recently Updated Articles in Indian Drama & Theatre
  • Vithabai Narayangaonkar
    Vithabai Narayangaonkar was a well-known Tamasha performer.
  •  
  • Rupaka
    Rupaka is the general term for all dramatic composition.
  •  
  • Ihamriga
    Ihamriga is a class of comedy, a piece of plot in four acts.
  •  
  • Prakarana
    Prakarana is a second class of Rupaka or dramatic composition, which agrees in all respects with the Nataka.
  •  
E-mail this Article | Post a Comment
Free E-magazine
Subscribe to Free
E-Magazine on Indian Drama & Theatre

 
Jaywant Dalvi, Indian Theatre Personality - Informative & researched article on Jaywant Dalvi, Indian Theatre Personality
Sitemap
Contact Us   |   RSS Feeds
Copyright © 2008 Jupiter Infomedia Pvt. Ltd. All rights reserved including the right to reproduce the contents in whole or in part in any form or medium without the express written permission of Jupiter Infomedia Pvt. Ltd.