Mural Paintings are the earliest remnants of Indian Art. Ajanta Murals include sculptures of animals, guards and deities. It also includes paintings of courtly life, scenes from the life of Lord Buddha and also has a few statues of the lord himself. History records that the Ajanta Murals sate back to the 2nd century BC. In the cave of Ajanta a male figure who emanates a sense of compassion, tenderness and even a trace of melancholy at witnessing the sorrows of the world is one of the masterpieces of world art. The figure embodies within its form the various ideals of beauty. For instance his eyes are like the petals of lotus and he has a waist of leonine tautness. This is the Ajanta Boddhisattva and one of the finest examples of Ajanta Murals.

The murals of Ajanta interestingly use light and shade of different colours. The Ajanta cave murals also tell Jataka stories of the many births of Lord Buddha. The ceilings are filled with decorative motifs from the vegetable and animal world. Many of the features have left a lasting impact on Indian art. Historians describe the Ajanta murals as superb example of Gupta art.

In the Ajanta Murals the rough stone walls were first covered with two layers of mud plaster. These were covered with a lime wash. In the paintings generally mineral colours were used. The drawings of figures and forms were outlined in red cinnabar. The artists used pigments from local sources-red and yellow ochre, green from mineral. White used beautifully to portray the intricate jewellery and create highlights came from lime and kaolin or what is known as china clay. Black was derived from lamp soot and blue was made from lapis lazuli which was imported. Perhaps, that is why the use of blue is relatively rare. Glue was used as a fixing agent to bind the pigments and animal hair-brushes were used.

Ajanta Murals had had heavy influence on modern Indian Art. Many of the contemporary artists like Nandalal Bose have heavily drawn from the style of Ajanta Murals. For instance like the eyes of Lord Buddha in the walls of Ajanta, Nandalal Bose also tried using of half-closed, lotus petal eyes.