Khaled Choudhury, Indian Theatre Personality - Informative & researched article on Khaled Choudhury, Indian Theatre Personality
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Home > Movies & Entertainment > Indian Drama & Theatre > Personalities In Indian Theater > Theatre Personalities of West Bengal > Khaled Choudhury
Khaled Choudhury, Indian Theatre Personality
He was an eminent Bengali scenographer, who also designed many sets for theatre.

Khaled Choudhury was born in the year of 1919. He was a popular theatre personality who was engaged in designing sets. His first break came by accident when Sombhu Mitra asked him to design and make the set for Tagore`s Rakta-karabi i.e. `Red Oleander` staged by Bohurupee in 1954. He was an adept painter, sketcher, and musician, who also devised special musical instruments for Rakta-karabi. Since then, he has imaginatively designed and supervised construction for over fifty productions by leading Calcutta groups. The list also included some of Bohurupee`s historic interpretations of Tagore and Badal Sircar.

khaled choudhury`s set model, calcutta, 1954.jpgHe was unacquainted with mainstream Bengali theatre when he designed Rakta-karabi. He turned this very lack into an advantage. Viewing sets and props not as static objects for functional or decorative purposes, he conceived them in their totality as integral parts of the play. In I960 he wrote, `Stage design can never be an art in itself.... The elements of stage design are static while everything else in the play is dynamic. Therefore the endeavour should be to give the stage props a quality that would create the impression of dynamism related to the movements of the actors. The director, the stage designer and lighting designer have to work closely together to make the stage design an organic part of the performance.` Khaled Choudhury worked steadfastly on his ideas. He succeeded to a large extent in imparting this dynamic dimension to space rather than just providing a setting. His concept of decor is similar to the views of Brecht and his stage designer Caspar Neher. For Rakta-karabi he designed a set with multi-level linear compositions and a colour scheme to emphasize the soul-destroying rigidity and hierarchical nature of society in the play. He brought about a near-total change in the attitude to sets of contemporary Bengali theatre. While he seemed to have lost interest in scenography during the 1970s, shifting to folk music and folklore research, his association with theatre partially revived afterwards.

(Last Updated on : 27/01/2009)
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Dinabandhu Mitra Manoj Mitra Sombhu Mitra
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Phani Bhusan Vidyabinode Kshirod Prasad Vidyavinod Sekhar Chatterjee
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