Bira Bikram Dev, Indian Theatre Personality - Informative & researched article on Bira Bikram Dev, Indian Theatre Personality
  Indianetzone: Largest Free Encyclopedia of India with thousand of articles Indian Drama & Theatre


in  
Art & Culture | Entertainment | Health | Reference | Sports | Society | Travel
Forum  | RSS Feeds  | Free E-magazine
Indian Drama & Theatre : Indian Drama l Indian Theatre l Personalities In Indian Theater l Forms of Indian theatre l Indian Theatre Companies l Regional theatre in India l Indian Theatre Stages l Indian Theatre Schools l Indian Comedy and Humor l Indian Theatre Characters l Famous Plays in Indian theatre l History Of Indian Theatre l Mukhachhadanam l Abhinaya l Alkap l Bandi Pethir l Ankiya Nat l Bhaoriya l Kurattiyattam l Shadow Theatre l Shumang Lila l Swang
Home > Movies & Entertainment > Indian Drama & Theatre > Personalities In Indian Theater > Theatre Personalities of Maharashtra > Bira Bikram Dev
Bira Bikram Dev, Indian Theatre Personality
Bira Bikram Dev was a famous playwright, actor, director and producer of Oriya medium.

Bira Bikram Dev was born in the year of 1875. He was a popular Oriya playwright, actor, director, producer, and composer whose intimate association with theatre built up a receptive audience in western Orissa. Ruling chief of the princely state of Khariar in Nawapara district, Bikram Dev inherited an interest in literature. His father, Brajaraj Singh, was a poet of repute, so from early childhood Bikram was reared in a literary atmosphere. In 1895, he established a permanent stage at Khariar, named it Bikram Theatre, and started producing both Hindi and Oriya plays. As a border princedom, Khariar had inhabitants who welcomed Hindi drama. Bikram Dev wrote his first play, Suhasini, in 1903. This was a farce appreciated by his audience. In the last seven years of his life he composed as many as eleven works covering history, legend, and social problems. He adapted Bharatendu Harishchandra`s Hindi classic, `Bharat durdasha`, as Utkal durdasha i.e. `Orissa`s Bad Condition` in 1904. This was the first allegorical play in Oriya. For the historical Ambika Devi in 1904 and Bhratru sneha i.e. `Brotherly Affection` in 1909, he collected material from Tod`s Annals and Antiquities of Rajasthan. The main spirit of his drama constituted patriotism and reform. According to the need and practice of those days, his plays Balya bibaha or `Child Wedding`, Briddha bibaha ore `Old Man`s Wedding, and Byabhichar dosha pradarshan or `Presenting the Wrongs of Adultery` had the principal objective of social reform.

Ramshankar Ray, one of the pioneering Oriya dramatists was his mentor. Bikram Dev followed his dramatic ideology and technique faithfully, but developed his own style of contemporary characters, well-knit plot, and simple, straight dialogue. Like other playwrights of his time, he used ample music and songs in all his works. He authored dramaturgy as well. Natak rachanapranali i.e. `Methods of Composing Drama` in 1903 and Abhinay prakasika i.e. `Principles of Acting` in 1911 were the first books of their kind in Oriya. His untimely death at the age of 36 proved a great loss for Oriya theatre.

(Last Updated on : 28/01/2009)
  More on Theatre Personalities of Maharashtra...
 
Amal Allana Vishnupant Pagnis Vishnupant Aundhkar
Bal Gandharva Anandrao Mistry Painter and Baburao Mistry Painter Victoria Theatrical Company
Roshen Alkazi Dattatray Ramchandra Bhat Bira Bikram Dev
Chhota Gandharva Asif Currimbhoy Jaywant Dalvi
Purushottam Vyankatesh Darwhekar Keshavrao Tryambak Date Dattaram Narayan Walwaikar
Arvind Yeshwant Deshpande Govind Purushottam Deshpande Sulabha Deshpande
Pragji Jamnadas Dossa Dadu Raghu Sarode Indurikar Vasant Shankar Kanetkar
Mahesh Elkunchwar Ram Ganesh Gadkari Krishnaji Prabhakar Khadilkar
Jehangir Pestonji Khambata Chintaman Tryambak Khanolkar Annasaheb` Balwant Pandurang Kirloskar
Chintamanrao Ganesh Kolhatkar Shripad Krishna Kolhatkar Master` Krishnarao Ganesh Phulambrikar
Shreeram Lagoo Adi Pherozeshah Marzban Dinanath Mangeshkar
Ram Purushottamdas Marathe Pundalik Narayan Naik Prabhakar Vishnu Panshikar
Sai Paranjpye Dadabhai Sorabji Patel Jabbar Razak Patel
Chintamani Govind Pendse Nanasaheb Gopal Govind Phatak Neelu Phule
Dadi Dorab Pudumjee Motiram Gajanan Rangnekar Vishnu Vaman Shirwadkar
Govindrao Tembe Vijay Tendulkar Alyque Padamsee
Mohan Agashe Satish Alekar Pravin Joshi and Sarita Joshi
Rajarambhau Ramchandra Kadam Ashok Srivastava Uttara Baokar
Bhakti Barve-lnamdar Dina Pathak (Gandhi) Cowasji Palanji Khatao
Bhaskar Chandavarkar Bhargavram Vitthal Warerkar Satyabhamabai Pandharpurkar
Keshavrao Vitthalrao Bhonsle Ratnakar Matkari Alkazi
Recently Updated Articles in Indian Drama & Theatre
  • Vithabai Narayangaonkar
    Vithabai Narayangaonkar was a well-known Tamasha performer.
  •  
  • Rupaka
    Rupaka is the general term for all dramatic composition.
  •  
  • Ihamriga
    Ihamriga is a class of comedy, a piece of plot in four acts.
  •  
  • Prakarana
    Prakarana is a second class of Rupaka or dramatic composition, which agrees in all respects with the Nataka.
  •  
E-mail this Article | Post a Comment
Free E-magazine
Subscribe to Free
E-Magazine on Indian Drama & Theatre

 
Bira Bikram Dev, Indian Theatre Personality - Informative & researched article on Bira Bikram Dev, Indian Theatre Personality
Sitemap
Contact Us   |   RSS Feeds
Copyright © 2008 Jupiter Infomedia Pvt. Ltd. All rights reserved including the right to reproduce the contents in whole or in part in any form or medium without the express written permission of Jupiter Infomedia Pvt. Ltd.